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Michael Tippett: Ritual Dances: Orchestra

Study Score | Sheet Music and Books

COMPOSER: Michael Tippett
PUBLISHER: Ernst Eulenburg u. Co.
PRODUCT FORMAT: Study Score
Tippett’s decision to extract the four Ritual Dances from his opera 'The Midsummer Marriage' as a self-contained concert suite reflects the fact that the medium of dance was always present in his conception of the opera. From the start, there was to be an interaction within the opera between the
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Specifications
Composer Michael Tippett
Publisher Ernst Eulenburg u. Co.
Product Format Study Score
Year of Publication 2007
StylePeriodView Description Post 1901
ISBN 9783795764180
ISMN 9790200223828
Instrumentation Orchestra
No. SCHETP8066
Number of pages 140
Series Eulenburg Miniature Scores
Composer Michael Tippett
Description
Tippett’s decision to extract the four Ritual Dances from his opera 'The Midsummer Marriage' as a self-contained concert suite reflects the fact that the medium of dance was always present in his conception of the opera. From the start, there was to be an interaction within the opera between the real world and the world of mythology, partly Greek, partly Celtic. This mythological element culminates, in the finished opera, in the 'Ritual Dances' of Acts 2 and 3. Tippett himself described his opera as ‘a kind of elaborate 'L’après midi d’un faune’, in which the 'Ritual Dances' display a powerful sexual energy, though of a very different kind fromDebussy’s voluptuous langour.Composition of The Midsummer Marriage occupied Tippett for six years from 1946 to 1952. The first performance of the Ritual Dances as a concert suite was given in Basel on 13 February 1953 by the Basel Kammerorchester conducted by Paul Sacher, and preceded the premiere of the complete opera by two years. Today the Ritual Dances rival the Concerto for Double String Orchestra (ETP 1331) as Tippett’s most widely-performed orchestral work.
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