Musicroom.com uses cookies and other tracking technologies to give you the best possible experience. By continuing to use this site you agree to our use of cookies.

Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme: Orchestra And Solo

Part | Sheet Music and Books

COMPOSER: Wolfgang Amadeus Mozart
PUBLISHER: Bärenreiter-Verlag
PRODUCT FORMAT: Part
Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme. Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologicallyunimpeachable text based on all the available sources (first and foremost Mozart 's autograph
€ 6,25
incl. tax
Special order
Usually ships within 5 days
This product cannot be ordered at the moment.
Not available in your region.
Specifications
Composer Wolfgang Amadeus Mozart
Publisher Bärenreiter-Verlag
Product Format Part
Genre Classical
ISMN 9790006456741
Instrumentation Orchestra And Solo
No. BA4790-75
Number of pages 8
Series Bärenreiter Urtext
Composer Wolfgang Amadeus Mozart
Editor Christoph Wolff
Description

Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.

Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass.

The New Mozart Edition offers researchers a musicologicallyunimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authentic performances.

BÄRENREITER URTEXT:

In theinternational music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominentmusicologistsas well as musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research.

For Bärenreiter, “Urtext” is more than just alabel it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians to get as close to the composer’s intentions as thesurviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Loading
Loading