SPRING SAVINGS - 15% OFF ORDERS OVER £50 WITH CODE SPRING24 | VIEW DETAILS

Applies to orders of sheet music, tuition, and exam books only.

Enter the discount code on the basket page.

Wolfgang Amadeus Mozart: Exsultate, jubilate K.165: Mixed Choir And Accomp.

Vocal Score | Sheet Music and Books

This product qualifies for our Multi-buy offer.
COMPOSER: Wolfgang Amadeus Mozart
PUBLISHER: Bärenreiter-Verlag
PRODUCT FORMAT: Vocal Score
Edited with additional material from the Salzburg version “In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives, concluding with an Hallelujah,and sung during the Mass following the Credo, generally by one of the best singers.” One
€ 8,75
incl. tax
Only 2 remaining
Ships within 1 working day
This product cannot be ordered at the moment.
Not available in your region.
Specifications
Composer Wolfgang Amadeus Mozart
Publisher Bärenreiter-Verlag
Product Format Vocal Score
Description Product Type Vocal Score
Genre Classical
ISMN 9790006460014
No. BA4897A
Number of pages 24
Series Bärenreiter Urtext
Description

Edited with additional material from the Salzburg version

“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives, concluding with an Hallelujah,and sung during the Mass following the Credo, generally by one of the best singers.” One composition matching this description is the solo motet Exsultate, jubilate, K. 165/158a, which Mozart wrote in Milan early in 1773following the highly successful performance of his opera Lucio Silla.

In 1978, when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft, a setofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg courtbassoonist and copyist Joseph Richard Estlinger (c. 1720–1791), who frequently worked for Mozart and his father.

The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria andin the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in theDreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart, together with Ceccarelli, wereinvited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.

- Urtext of the New Mozart Edition

- Fullscore, performance material (BA4897) and vocal score (BA4897-90) available for sale

Loading
Loading