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Songs for the Twenty-First Century: Vocal And Other Accompaniment

Score | Sheet Music and Books

PUBLISHER: University Of York Music Press
PRODUCT FORMAT: Score
The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create recital programmes from a deepreservoir of European and North American song. The recital genre became
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Specifications
Editor Michael Hooper
Publisher University Of York Music Press
Instrumentation Voice and Accompaniment
Product Format Score
Description Product Type Book [Softcover]
ISMN 9790570361922
No. MUSM570361922
Number of pages 4
Description
The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create recital programmes from a deepreservoir of European and North American song. The recital genre became more sophisticated as the century progressed and metamorphosed from a miscellaneous collection of lollipops to something altogether more sophisticated, oftenfeaturing elaborate themes which would enable the music to be presented in a variety of new contexts. In the twenty first century opportunities for recitalists are fewer and programmes still tend to focus on the much-loved butwell-explored repertoire. We hope this collection will contribute to a broadening of possibilities for recitalists or anyone who just wants something new to sing.

There are several songs for voice and piano but some requireother instruments. There is a wide range of styles. We have resisted the temptation to grade them by difficulty, as our criteria were more broadly performative and musical rather than didactic. All selected composers have aparticular sympathy for the singing voice, so there is nothing that cannot be sung by a competent performer. The songs generally have a designated voice type, but this shouldn't be thought of as prescriptive; they are designed tobe flexible and to offer the maximum opportunity for creative interpretation. They range from the curious and quirky to the virtuosic and challenging, the intense and mysterious to the sad and the light-hearted. We hope that manyperformers will find their tastes represented here.

Compiled by David Blake and John Potter.

Edited by Michael Hooper.
Song List
  • 1. The beach in winter: Scratby (for Tess) [Saxton, Robert]
  • 2. Ethne's Lullaby [Harrison, Sadie]
  • 3. Locked Door [Simaku, Thomas]
  • 4. I am not here [Osborne, Nigel]
  • 5. Lotus Dam [Kondo, Jo]
  • 6. Silence (A Monodrama) [Roman, Laurence]
  • 7. Nightpiece [Roberts, Jeremy Dale]
  • 8. Morning Sea [Blake, David]
  • 9. Lament of Isis on the Death of Osiris [Lutyens, Elisabeth]
  • 10. I ???? the body electric [Venables, Philip]
  • 11. Yet, yet a moment, one dim Ray of Light [Hughes, Ed]
  • 12. Tinos [Gilbert, Anthony]
  • 13. Nana de la luna [Paredes, Hilda]
  • 14. Under the Light [Nicholson, George]
  • 15. Du Bist Mein [Blake, David]
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