G.P. Telemann: Twelve Fantasias For Violin (TWV 40: 14-25)

Books | Violin

Publisher: Bärenreiter
Format: Sheet Music | Instrumental Album

Georg Philipp Telemann (1681 - 1767) paid particular attention to the field of chamber music without bass. Intended for the amateur or student, these pieces are genuine examples of Baroque music displaying an original devotion to music the effect of which can still be felt today.

The 12 Fantasias for Violin without Bass, 1735, formally display a cyclic construction with numerous variants. Elements of the sonata, the concerto or the suite are taken up and expertly contrasted with one another. The richly developed part writing ensures full use of the playing possibilities of the instrument.

About Bärenreiter Urtext:

In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research.

For Bärenreiter, “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

ISBN: 9790006428243
Skill Level: Intermediate-Advanced Explain this
Published on: 31 October 2005
No of pages: 27
Language: English, French, German
Catalogue No: BA2972

        G.P. Telemann: Twelve Fantasias For Violin reviews verified by reevooReevoo

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        Scores 9.5 out of 10 based on 4 reviews
        10 out of 10


        Leek, Staffordshire GB Lifelong violinist and teacher
        It is surprising that these pieces are not better known. Less complex than Bach's partitas and sonatas for unaccompanied violin, and somewhat easier to play, they are nonetheless substantial, excellently crafted and enjoyable examples of a form of music that was more common than we now realise. Pieces of this kind may well have been improvised by accomplished violinists of the baroque period. They are of course beautifully and authentically performed on recordings by Andrew Manze.
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        Confirmed purchase: 01 September 2015
        Published on: 25 September 2015

        Musicroom Reviews

        Very good music, especially for baroque lovers. Definitely above grade 6 standard, probably grade 7-8.
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