After Edward Hopper’s 'Early Sunday Morning'
In this work I have made up the lives and dreams of people who are out of sight in Hopper’s painting of a quiet row of houses at dawn. I wrote about different situations I imagined, from house to house. There are seven sections in the suite; the first and last sections represent the ends of terrace.
"I really enjoyed browsing through Lola Perrin's Piano Suites….enormously resourceful and pianistic, attractive and lucid…" Piano Magazine
Published on: 26 April 2011
Catalogue No: LP101