Phyllis and Amaryllis: Mixed Choir And Accomp.
Madrigal Collection
This item has a minimum purchase quantity.
PUBLISHER:
Hal Leonard
PRODUCT FORMAT:
Vocal Score
Just like many pop songs of today, English Renaissance madrigals, the pop songs of their time, mention loved ones by name. Two of the most frequent to crop up are Phyllis and Amaryllis, both names derived from Greek mythology and obviously popular in the 16th century. These five charming madrigals
Specifications
Editor | Philip Lawson |
Publisher | Hal Leonard |
Instrumentation | SATB |
Product Format | Vocal Score |
Description Product Type | Choral Score |
Genre | Motet & Madrigal |
Year of Publication | 2017 |
Style Period | Renaissance |
UPC | 888680665289 |
No. | HL00216063 |
Number of pages | 32 |
Voicing | SATB |
Series | De Haske Choral Series |
Minimum Order Quantity Sales | 5 |
Description
Just like many pop songs of today, English Renaissance madrigals, the pop songs of their time, mention loved ones by name. Two of the most frequent to crop up are Phyllis and Amaryllis, both names derived from Greek mythology and obviously popular in the 16th century. These five charming madrigals all refer to ladies named Phyllis and Amaryllis, including one which has both! The collection includes: Adieu, sweet Amaryllis (John Wilbye), Fair Phyllis (John Farmer), I love, alas, I love thee (Thomas Morley), See, see the shepherds' queen (Thomas Tomkins), Though Amaryllis dance in green (William Byrd).
Attachments
Song List
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1. Fair Phyllis I Saw
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2. See, See The Shepherds' Queen
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3. Adieu, Sweet Amaryllis
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4. I Love, Alas, I Love Thee
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5. Though Amaryllis Dance In Green