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Opera Arias

COMPOSER: Georg Friedrich Händel
PUBLISHER: Bärenreiter-Verlag
PRODUCT FORMAT: Vocal Collection
Based on the Bärenreiter vocal scores, the three volumes in this series contain some of Handel's best-known arias for mezzo-soprano/contralto, tenor and bass, together with some less well-known numbers of equally highmusical quality. The arias in these volumes contain works from Handel's
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Specifications
Composer Georg Friedrich Händel
Publisher Bärenreiter-Verlag
Instrumentation Solo Mezzo-soprano, Solo Alto, Piano
Product Format Vocal Collection
Genre Opera / Operette
Style Period Baroque
Style Baroque
ISMN 9790006539321
No. BA10253
Voicing Mezzo-Soprano Voice
Series Bärenreiter Urtext
Description

Based on the Bärenreiter vocal scores, the three volumes in this series contain some of Handel's best-known arias for mezzo-soprano/contralto, tenor and bass, together with some less well-known numbers of equally highmusical quality.

The arias in these volumes contain works from Handel's thirty-year period as an opera composer in London and give an impression of the variety of this extensive repertoire. The arias, placed in thechronological order of the operas, display various distinctive technical features and are mostly presented with the pre-ceding recitative or, in a few cases, in the context of an entire scene.

The forewords by DonaldBurrowscontain detailed notes on Handel's singers and on the context of the arias of the operas.

Mio cor (Goffredo, Rinaldo)
Sorge nel petto (Goffredo, Rinaldo)
Pena tiranna io sento al core (Dardano, Amadigi)
Quando mai, spietata sorte (Zenobia,Radamisto)
Già che morir non posso (Zenobia, Radamisto)
Fatemi, o Cieli, almen (Zenobia, Radamisto)
Deggio dunque, oh Dio, lasciarti(Zenobia, Radamisto)
Che colpaè la mia (Teodata, Flavio, Re de’ Longobardi)
Priva son d’ogni conforto (Cornelia, Giulio Cesare in Egitto)
Par che mi nasca in seno (Irene, Tamerlano)
No, che sei tanto costante (Irene,Tamerlano)
Crudel più non son io (Irene, Tamerlano)
Quanto più fiera tempesta freme (Eduige, Rodelinda, Regina de’ Longobardi)
Orgogliosetto va l’augelletto (Matilde, Lotario)
Arma losguardo (Matilde, Lotario)
S’è delitto trar da’ lacci (Idelberto, Lotario)
Per tutto il timore (Valentiniano, Ezio)
Verdi allori (Medoro, Orlando)
Vorrei poterti amar (Medoro, Orlando)
Se l’inganno sortisce felice (Polinesso, Ariodante)
Dover, giustizia, amor (Polinesso, Ariodante)
Or che siete, speranze, tradite (Amastre, Serse)
Anima infida, tradita io sono (Amastre, Serse)
Cagionson io del mio dolore (Amastre, Serse)
Meglio in voi col mio partire (Arsamene, Serse)
Non so se sia la speme (Arsamene, Serse)
Quella che tutta fé (Arsamene, Serse)
Sì, la voglio, e la

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