Georg Friedrich Händel: Hallelujah' Chorus (New Engraving): Mixed Choir And Piano/Organ
Vocal Score | Sheet Music and Books
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COMPOSER:
Georg Friedrich Händel
PUBLISHER:
Novello and Co
PRODUCT FORMAT:
Vocal Score
The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word setting thatthis empathic, triumphal paean retains its appeal in spite of the cultural overexposure
Specifications
Composer | Georg Friedrich Händel |
Editor | Jonathan Wikeley |
Publisher | Novello and Co |
Instrumentation | SATB and Organ |
Product Format | Vocal Score |
Description Product Type | Choral Score |
Genre | Classical |
Year of Publication | 2012 |
Style Period | Baroque |
ISBN | 9781780382180 |
No. | MUSNOV292325 |
Number of pages | 16 |
Voicing | SATB |
Series | Novello New Choral Engravings |
Description
The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah.
Such is the strength of Handel's word setting thatthis empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs.
The premiere of Messiah was in Dublinin 1742 as the high point of a full season of Handel's work. It was a charity event, held in aid of local causes, and in order to get the maximum attendance at Neale's new music hall in Fishamble Street, men were asked toremovetheir swords, and ladies the hoops in their dresses.
The tradition of standing during performances of the 'Hallelujah' Chorus, still indulged at some performances in Britains, is said to have been started by KingGeorge II at the work's opening run in London in 1743.
Such is the strength of Handel's word setting thatthis empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs.
The premiere of Messiah was in Dublinin 1742 as the high point of a full season of Handel's work. It was a charity event, held in aid of local causes, and in order to get the maximum attendance at Neale's new music hall in Fishamble Street, men were asked toremovetheir swords, and ladies the hoops in their dresses.
The tradition of standing during performances of the 'Hallelujah' Chorus, still indulged at some performances in Britains, is said to have been started by KingGeorge II at the work's opening run in London in 1743.
Song List
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1. 'Hallelujah' Chorus