Antonio Vivaldi: La Gloria E Imeneo, RV 687: Mixed Choir And Ensemble

Ed. critica di Alessandro Borin - ril. brochure

COMPOSER: Antonio Vivaldi
PUBLISHER: Ricordi
PRODUCT FORMAT: Score
DESCRIPTION PRODUCT TYPE: Score
La Gloria e Imeneo , RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of
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Specifications
Composer Antonio Vivaldi
Publisher Ricordi
Instrumentation SATB, Violin, Viola and Continuo
Product Format Score
Description Product Type Score
Genre Classical
Year of Publication 2016
Grade of Difficulty INTERMEDIATE-ADV
Style Period Baroque
ISBN 9788875929954
ISMN 9790041914312
No. PR 00143100
Number of pages 132
Voicing SATB
Series UMPC Critical Editions
Description
La Gloria e Imeneo , RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy,on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This critical edition is based on the autographscore held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes anapparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred since no libretto has come down to us by the words underlaid to the notesin the manuscript of the serenata.
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