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Alphonse Leduc


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1.
Eugene Bozza: Aria (Alto Saxophone/Piano)~ Instrumental Work (Piano Accompaniment, Alto Saxophone)

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Aria by Eugène Bozza (1905-1991) is a lyrical piece written in 1936 for advanced Alto Saxophone players. Technically and musically challenging, being able to master vibrato and control your instrument well will be greatly beneficial to effective playing of this piece.

Dedicated to the famous French Saxophonist Marcel Mule, Aria required from the player a good mastery of breathing as there are few rests and this also suggests that the intonation should be applied carefully as well.
A relaxed piece that's really popular among players, this piece can remind of the style of J. S. Bach and is thoroughly enjoyable.

Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He also composed several operas, chamber works and ballets among others.

2.
Gabriel Grovlez: Sarabande Et Allegro (Alto Saxophone/Piano)~ Instrumental Work (Piano Accompaniment, Alto Saxophone)
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Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile, from Operas and Ballets to solo works. Grovlez's Sarabande et Allegro is a sublime addition to the Alto Saxophone repertoire.

Many of the composer's works show neo-classical features, which is also the case in Sarabande et Allegro, where the texture is predominantly melody-dominated homophony, perfect cadences are frequently heard, and modulations to related keys occur. Grovlez's F minor Sarabande is in a steady, triple meter, superbly contrasted by the fast Allegro, composed in the relative major. All these features make for a thoroughly enjoyable and delightful performance!

3.
Maurice Ravel: Piece En Forme De Habanera~ Instrumental Work (Piano Accompaniment, Alto Saxophone, Saxophone)

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As a prestigious composer of the early 20th century, Maurice Ravel's Pièce en Forme de Habanera contains many features which continue to make the composer's music popular and loved to this day.

4.
Amy Quate - Light Of Sothis Pour Saxophone Et Piano~ Not Specified (Score, Piano, Saxophone)
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Contemporary composer Amy Quate works in a wide variety of musical styles, forms and media. Composed in 1982 and dedicated to saxophonist Debra Richtmeyer, Light of Sothis creatively depicts the brightest star in heaven.

Sothis, now called Sirius, is the star aspect of the goddess Isis, whose light confines the cycles of nature which bring beauty, prosperity and life. It is believed that Sothis blesses us with sacred illumination and it is this which Quate depicts in Light of Sothis. In three movements, Grace, Passion and Faith, the Saxophone line has lyrical melodies contrasted with dramatic scalic passages, covering the entire range of the instrument. Suitable for intermediate level saxophonists, a performance Quate's Light of Sothis proves to be an enticing prospect.

5.
Philippe Gaubert: Sicilienne~ Instrumental Work (Piano Accompaniment, Flute)

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Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sicilienne being no exception.

6.
Moyse M: De La Sonorite Art Et Technique Flute Traversière~ Instrumental Tutor (Flute)
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Published in 1934 and written by the French flautist and composer Marcel Moyse (1889-1984), De la Sonorité proposes a method to acquire a beautiful sonority on the Flute. Created for the use of advanced flautists, the exercises should give a means to the players to transform their sounds and obtain a different and better tone.

De la Sonorité is divided into five parts:
1. Timbre and homogeneity of tone in the 3 registers
2. Suppleness of tone (especially in the low register)
3. Attacking and slurring notes
4. Fullness of tone
5. Management of tone in interpretation

Considered as a maestro by some musicians, Marcel Moyse has composed many Flute methods and exercise books such also published by Alphonse Leduc, such as Gammes et Arpèges (1933), Exercices Journaliers (1922) and Mécanisme-Chromatisme (1927). His methods are widely used and recognised worldwide.

7.
Jacques Ed. Barat: Andante Et Scherzo (Trumpet And Piano)~ Instrumental Work (Piano Accompaniment, Trumpet)
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Joseph Edouard Barat (1882-1963) is best known for his concertos and compositions for solo wind and orchestra. His sympathy for wind music is thought to have been influenced by his work as a bandmaster with the French Army, from which his compositional expertise has derived.

8.
Paul Jeanjean: Vade-Mecum Du Clarinettiste (Clarinet Solo)~ Study (Clarinet)
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'Vade-Mecum' for the Clarinet is a set of six studies by Paul Jeanjean (1874-1928) and was composed for intermediate level players who don’t always have the time to practise but have to be warmed up. It should prepare them in approximately half an hour and is particularly good to render the fingers and tongue rapidly supple. It should also help to overcome imperfections and weaknesses. Paul Jeanjean (1874-1928) is a French composer known for his Clarinet compositions. He also composed '16 Études modernes', 'Arabesques' and 'Clair Matin'.

9.
Olivier Messiaen - La Nativité Du Seigneur (1er Vol.)~ Not Specified (Score, Organ)
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Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony and melodies, La Nativité Du Seigneur is no exception to the composer's popular, distinctive style.

Volume 1, published in 1935 with the three following volumes, comprises the first three meditations, The Virgin and the Child, The Shepherds and Eternal Purposes. The entire work by Messiaen, La Nativité Du Seigneur is a testament to the composer's Christian faith. The work was one of the first to feature the composer's own modes of limited transposition and influences of birdsong. This edition of the popular Messiaen work includes notes by the composer on how to perform certain features. La Nativité Du Seigneur is essential to all advanced organists seeking to expand and vary their repertoire.

10.
Eugène Bozza: Lied (Trumpet/Piano)~ Instrumental Work (Trumpet)

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11.
Marcel Moyse - 25 Études Mélodiques Avec Variations Pour Flûte~ Not Specified (Flute, Study Guide)
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As a notable Flute player, Marcel Moyse (1889-1984) studied at the Paris Conservatoire under the direction of virtuoso flautists, Paul Taffanel, Adolphe Hennebains and Philippe Gaubert. His accomplishment on the instrument soon established itself on paper, with the composer producing many study and exercise books for the Flute. This includes the acclaimed 25 Études Mélodiques.

The compilation covers aspects such as, articulation, ornamentation, range and rhythm in the form of moderately difficult variations. Furthermore, with notes in French, English, German, Spanish and Japanese, this Moyse study book is distinctly versatile. Marcel Moyse was responsible for the training of a gifted generation of performers and so it is no surprise that his 25 Études Mélodiques has been crucial to the progress of advanced Flute studies.

12.
Bozza: Rustiques Trompette Ut Ou Sib Et Piano~ Score (Trumpet)
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Rustic by Eugène Bozza (1905-1991) is one of the most well-known and enjoyable pieces for Trumpet and Piano published in 1955.

13.
Gaubert: 17 Exercices Journaliers De Mécanisme Pour Flute Traversiere~ Study (Flute)
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Composed by Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941), 17 Grands Exercices Journaliers de Mécanisme should be performed daily to maintain and strengthen your technique and tone.

In this progressive method, the importance of the purity of the sound is highlighted and the flautist should work their techniques keeping this idea constantly in mind.
A calendar appears at the beginning of the method to ensure progress is made and advice is given in four languages.

14.
Jacques Ibert: Concertino Da Camera~ Instrumental Work (Piano Accompaniment, Alto Saxophone)
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Concertino Da Camera, written in 1935 by Jacques Ibert (1890-1962) was a small concerto for alto-saxophone and eleven instruments: Flute, Bassoon, Oboe, Horn, Trumpet and Strings. This score is for Alto Saxophone and Piano.

This Concertino is in two movements, Allegro con moto and Larghetto – Animato Molto, is dedicated to the saxophonist Sigurd Rascher and is standing out for its large use of the Alto-Saxophone. It can be technically challenging and has a strong lyrical part.


15.
Jacques Ibert: Le Petit Âne Blanc, From Stories For Piano~ Instrumental Work (Piano)

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Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and it remains significant in the advanced pianist's repertoire.

This edition contains the second movement of Stories, The Little White Donkey. It is marked 'with quiet good humour' and begins staccato yet pianissimo. The movements of Ibert's Stories, including The Little White Donkey, contain significant influences of Debussy and impressionism. Addressing a variety of musical aspects and techniques, Ibert's The Little White Donkey is an exciting addition to the Piano repertoire.

16.
Kopprasch: 60 Selected Studies Tuba Mfb278~ Study (Tuba)
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60 Selected Studies by Georg Kopprasch is a set of sixty studies initially composed for the Horn and adapted for Tuba. Written for intermediate/advanced players, this set requires a good technical level and is an ideal must-have for Tuba players.

These 60 Selected Studies by C. Kopprasch were also transcribed for Trumpet and Trombone.

Georg Kopprash (often named C. Kopprasch in an old misspelling) was a German Horn player and composer living at the beginning of the 19th century. His sets of sixty studies Op.5 and Op.6 are often confused even though his most famous set is the Op.6.

17.
Eugène Bozza: Image Op. 38 (Flute)~ Instrumental Work (Flute)

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Images for solo Flute, Op. 38 by Eugène Bozza (1905-1991) is one of Bozza’s most famous pieces. Technically challenging, it includes flutter tonguing, extreme range, and multi-phonics.

Really enjoyable and often played in contests and representations, Images for solo Flute, Op. 38 would fit advanced level players.

Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

18.
Paul Bazelaire/Luigi Boccherini: Rondo, for Cello and Piano~ Instrumental Work (Piano Accompaniment, Cello)

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As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the Cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day.

Known for his courtly, gallant style, Rondo, originally composed for Violin and Harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing Cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the Cello repertoire. In addition, the clear print of separate Cello and Piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.

19.
Georg Philipp Telemann: Sonata In A Minor (Oboe and Piano)~ Score (Oboe)

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20.
Jeanine Rueff: Chanson Et Passepied~ Instrumental Work (Piano Accompaniment, Alto Saxophone)

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Composed by Jeanine Rueff, Chanson Et Passepied for Saxophone is a piece for advanced players written in two parts.
The first part, “Chanson” (Song) is a lyrical part written in Andantino Tempo, starting with a very simple yet beautiful melody, and organised in the format of a Question/Answer. It is then followed by a second melody with the same organisation and by the first melody that is played by the piano.
The second part, “Passepied”, which refers to a Baroque dance, is composed in Allegretto and has an A/B/A structure. A is quite melodic while B is more like a Valse.

Wonderfully composed, very technical yet also lyrical, this piece is really enjoyable and can be used for recital or contests.

Jeanine Rueff composed numerous pieces for Saxophones often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet.


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