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Alphonse Leduc


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1.
Eugene Bozza: Aria (Alto Saxophone/Piano)~ Instrumental Work (Piano Accompaniment, Alto Saxophone)

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Aria by Eugène Bozza (1905-1991) is a lyrical piece written in 1936 for advanced Alto Saxophone players. Technically and musically challenging, being able to master vibrato and control your instrument well will be greatly beneficial to effective playing of this piece.

Dedicated to the famous French Saxophonist Marcel Mule, Aria required from the player a good mastery of breathing as there are few rests and this also suggests that the intonation should be applied carefully as well.
A relaxed piece that's really popular among players, this piece can remind of the style of J. S. Bach and is thoroughly enjoyable.

Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He also composed several operas, chamber works and ballets among others.

2.
Gabriel Grovlez: Sarabande Et Allegro (Alto Saxophone/Piano)~ Instrumental Work (Piano Accompaniment, Alto Saxophone)
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Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile, from Operas and Ballets to solo works. Grovlez's Sarabande et Allegro is a sublime addition to the Alto Saxophone repertoire.

Many of the composer's works show neo-classical features, which is also the case in Sarabande et Allegro, where the texture is predominantly melody-dominated homophony, perfect cadences are frequently heard, and modulations to related keys occur. Grovlez's F minor Sarabande is in a steady, triple meter, superbly contrasted by the fast Allegro, composed in the relative major. All these features make for a thoroughly enjoyable and delightful performance!

3.
Eugène Bozza: Aria (Violin Or Flute And Piano)~ Instrumental Work (Piano Accompaniment, Flute, Violin)

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Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, Aria for Violin or Flute and Piano being no exception.

This Bozza piece, adaptable for either Violin or Flute, is lyrical and graceful, displaying the beautiful, lower register of both instruments, accompanied by rich, pulsating chords in the Piano. As music educationalist, Paul Griffiths has written of Bozza's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities."

4.
Maurice Ravel: Piece En Forme De Habanera~ Instrumental Work (Piano Accompaniment, Alto Saxophone, Saxophone)

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As a prestigious composer of the early 20th century, Maurice Ravel's Pièce en Forme de Habanera contains many features which continue to make the composer's music popular and loved to this day.

5.
Henri Busser: Andante and Scherzo, Op. 44 (Trumpet and Piano)~ Instrumental Work (Piano Accompaniment, Trumpet)
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Written by Henri Büsser, Andante and Scherzo, Op. 44 is a superb composition for Trumpet and Piano. This chamber work was used as an audition piece for the Paris Conservatory and this edition contains the solo scores for B flat and for C Trumpet.

Henri Büsser (1872-1913) was a French classical composer and organist. He was a professor at the Paris Conservatoire and a member of the Académie Française. He wrote a ballet, numerous operas and chamber music.

6.
Philippe Gaubert: Sicilienne~ Instrumental Work (Piano Accompaniment, Flute)

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Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sicilienne being no exception.

7.
Jacques Ed. Barat: Andante Et Scherzo (Trumpet And Piano)~ Instrumental Work (Piano Accompaniment, Trumpet)
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Joseph Edouard Barat (1882-1963) is best known for his concertos and compositions for solo wind and orchestra. His sympathy for wind music is thought to have been influenced by his work as a bandmaster with the French Army, from which his compositional expertise has derived.

8.
Eugène Bozza: Badinage (Trumpet And Piano)~ Instrumental Work (Piano Accompaniment, Trumpet)
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Eugène Bozza's Badinage, meaning banter, is an exciting addition to the trumpeter's repertoire. Exploiting the instrument's potential, Badinage is ideal performance repertoire for intermediate- to advanced-level Trumpet players.

Born in Nice, Bozza (1905-1991) went on to study at the Paris Conservatoire, winning prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. His capability and creativity come across clearly in his Badinage for Trumpet and Piano through jesting, ascending arpeggio flourishes and energetic staccato call-and-response passages between the Trumpet and Piano. The comic nature of this piece is successfully portrayed, making Bozza's Badinage is an essential, fun and varied piece for the Trumpet repertoire.

9.
Maurice Ravel: Piece En Forme De Habanera (Cello)~ Instrumental Work (Piano Accompaniment, Cello)

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As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera style, transcribed for the Cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day.

10.
Olivier Messiaen: Le Banquet Celeste~ Instrumental Work (Organ)

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Le Banquet Celeste, by Olivier Messiaen is one of his earliest compositions. Written for Organ, this piece lasts 7 minutes because of its slow tempo that gives it a timeless feeling. This piece is quite challenging and would require an advanced technical level.

Written in Octatonic mode, Le Banquet Celeste used a theme that was transposed twice for less monotony

Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm, colour and ornithology' in 7 volumes.

11.
Londeix: Sonate En Mib Saxophone Mib Et Piano~ Instrumental Work (Piano Accompaniment, Alto Saxophone)
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German baroque composer, Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist, becoming a composer against his family's wishes. However, his musical career saw him hold important positions and, to this day, he remains a major composer. His sublime Sonata in C minor for Oboe is superbly arranged for Alto Saxophone by contemporary French saxophonist, Jean-Marie Londeix.

Telemann composed his Sonata in C minor for Oboe whilst in service to the German Royal family. During this time, he composed a wealth of instrumental music, including Sonatas and Concertos. Londeix's arrangement for Saxophone of Telemann's Sonata includes adaptions for the instrument, such as dynamics, phrase marks, performance and tempo directions, articulation and breath marks, making the baroque genre accessible to the Saxophone, a relatively modern instrument.

12.
Eugène Bozza: Lied (Trumpet/Piano)~ Instrumental Work (Trumpet)

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13.
André Messager: Solo De Concours~ Instrumental Work (Clarinet, Piano Accompaniment)
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André Messager (1853-1929) composed Solo De Concours for Clarinet in 1899, as a Paris Conservatoire Contest piece.

Composed in three sections, the cheerful first part contains triplet figures by the Clarinet that can easily be heard over the Orchestra. The second part has a strong French melody that can be heard as an exchange between the Clarinet and the Orchestra. A cadenza followed by trills ends this section and leads to the final part, where the Clarinet stands out from the Orchestra, with a rich melodic energy.

André Messager is a previous student of Gabriel Fauré and Camille Saint-Saëns who wrote numerous operas, operettas and ballets. He was later appointed Commander of the Legion d’Honneur.

14.
Catherine: Pièce En Forme De Habanera Violon Et Piano~ Instrumental Work (Piano Accompaniment, Violin)

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Initially composed in 1907 for Bass Voice and Piano, Habanera by Maurice Ravel was transcribed for Violin and Piano for this edition, which can be used for both recitals and exams.

15.
Moyse M: 24 Petites Études Mélodiques Avec Variations Flute Traversière~ Instrumental Work (Flute)
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Published in 1928, 24 Little Melodic Studies by the French flautist and composer Marcel Moyse (1889-1984), aims to develop the capacities of interpretation of each flautist, from beginners to advanced level players.

Written with almost no guidance on how to interpret each study, Marcel Moyse deliberately left the choice to the flautist to pick their own rhythm / tempo and to write their own annotations on the book.
The melodies being simple, 24 Little Melodic Studies can help beginners to improve their techniques as much as it can be beneficial to advanced students to keep improving their skills.

Considered as a maestro by some musicians, Marcel Moyse has composed many Flute methods and exercise books also published by Alphonse Leduc, such as Mécanisme-Chromatisme (1927) and De la Sonorité (1934). His methods are widely used and recognised worldwide.

16.
Eugène Bozza: Hommage A Bach (Trombone/Piano)~ Instrumental Work (Piano Accompaniment, Trombone)

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To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Hommage A Bach for Trombone and Piano is an exquisite addition to the repertoire.

During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1957, Bozza's Hommage A Bach reflects the composer's admiration of the great J. S. Bach. As music educationalist, Paul Griffiths has written of Bozza's compositions, "his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities."

17.
Jacques Ibert: Concertino Da Camera~ Instrumental Work (Piano Accompaniment, Alto Saxophone)
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Concertino Da Camera, written in 1935 by Jacques Ibert (1890-1962) was a small concerto for alto-saxophone and eleven instruments: Flute, Bassoon, Oboe, Horn, Trumpet and Strings. This score is for Alto Saxophone and Piano.

This Concertino is in two movements, Allegro con moto and Larghetto – Animato Molto, is dedicated to the saxophonist Sigurd Rascher and is standing out for its large use of the Alto-Saxophone. It can be technically challenging and has a strong lyrical part.


18.
Jacques Ibert: Le Petit Âne Blanc, From Stories For Piano~ Instrumental Work (Piano)

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Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and it remains significant in the advanced pianist's repertoire.

This edition contains the second movement of Stories, The Little White Donkey. It is marked 'with quiet good humour' and begins staccato yet pianissimo. The movements of Ibert's Stories, including The Little White Donkey, contain significant influences of Debussy and impressionism. Addressing a variety of musical aspects and techniques, Ibert's The Little White Donkey is an exciting addition to the Piano repertoire.

19.
Eugène Bozza: Image Op. 38 (Flute)~ Instrumental Work (Flute)

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Images for solo Flute, Op. 38 by Eugène Bozza (1905-1991) is one of Bozza’s most famous pieces. Technically challenging, it includes flutter tonguing, extreme range, and multi-phonics.

Really enjoyable and often played in contests and representations, Images for solo Flute, Op. 38 would fit advanced level players.

Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

20.
Eugène Bozza: En Forêt~ Instrumental Work (Piano Accompaniment, French Horn)
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Having won many prizes at the Paris Conservatoire during the 1920s and 1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, En Foret being no exception.

This Bozza piece for French Horn and Piano masterfully combines a virtuosic Horn solo with impressionistic Piano accompaniment. The composer includes reminders of the Horn's hunting roots with frequent uses of call and response throughout. As a music educator, Paul Griffiths has written of Bozza's compositions, saying how "his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities."


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