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1.
Wolfgang Amadeus Mozart: Concerto for Bassoon in B-flat (K.191) (K.186e) (Urtext).~ Part (Piano)
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Concerto for Bassoon in B-flat (K.191) (K.186e) (Urtext).

2.
Wolfgang Amadeus Mozart: Concerto for Horn No.2 in E-flat (K.417) (Urtext).~ Part (Piano)
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Concerto for Horn No.2 in E-flat (K.417) (Urtext).
0, 2, 0, 0 - 2, 0, 0, 0, str, solo hn
Piano...

3.
Wolfgang Amadeus Mozart: Concerto for Piano No.23 in A (K.488) (Urtext).~ Part (Orchestra)
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Concerto for Piano No.23 in A (K.488) (Urtext).
1, 0, 2, 2 - 2, 0, 0, 0, str, solo pf
Piano (2...

4.
Wolfgang Amadeus Mozart: Concerto for Violin No.4 in D (K.218) (Urtext).~ Part (Piano)
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Concerto for Violin No.4 in D (K.218) (Urtext).
vn, pf
Piano reduction
(New edition with Ca...

5.
A. Dvorak: Requiem Op.89 B.165 Chamber Version - Cello~ Part (Choral)

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Dvořák’s Requiem, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Antonín Dvořák.

6.
A. Dvorak: Requiem Op.89 B.165 Chamber Version - Viola~ Part (Choral)

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Dvořák’s Requiem, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Antonín Dvořák.

7.
A. Dvorak: Requiem Op.89 B.165 Chamber Version - Double Bass~ Part (Choral)

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Dvořák’s Requiem, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Antonín Dvořák.

8.
A. Dvorak: Requiem Op.89 B.165 Chamber Version - Wind Set~ Part (Choral)
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Dvořák’s Requiem, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Antonín Dvořák.

9.
A. Dvorak: Requiem Op.89 B.165 Chamber Version - Violin II~ Part (Choral)

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Dvořák’s Requiem, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Antonín Dvořák.

10.
A. Dvorak: Requiem Op.89 B.165 Chamber Version - Violin I~ Part (Choral)

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Dvořák’s Requiem, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Antonín Dvořák.

11.
J. Haydn: Symphony No.26 In D minor - Lamentazione: (Hob.I:26) - Cello/Bass~ Part (Orchestra)

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Haydn’s Symphony No.26 received its nickname Lamentazione during his lifetime, though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week.

12.
J. Haydn: Symphony No.26 In D minor - Lamentazione: (Hob.I:26) - Violin I~ Part (Orchestra)

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Haydn’s Symphony No.26 received its nickname Lamentazione during his lifetime, though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week.

13.
J. Haydn: Symphony No.26 In D minor - Lamentazione: (Hob.I:26) - Wind set~ Part (Orchestra)
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Haydn’s Symphony No.26 received its nickname Lamentazione during his lifetime, though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week.

14.
J. Haydn: Symphony No.26 In D minor - Lamentazione: (Hob.I:26) - Viola~ Part (Orchestra)

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Haydn’s Symphony No.26 received its nickname Lamentazione during his lifetime, though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week.

15.
J. Haydn: Symphony No.26 In D minor - Lamentazione: (Hob.I:26) - Violin II~ Part (Orchestra)

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Haydn’s Symphony No.26 received its nickname Lamentazione during his lifetime, though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week.

16.
J. S. Bach: Ascension Oratorio (Laud To God In All His Kingdoms) (BWV 11) (Organ)~ Part (Choral)
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Thoroughly researched musical text of this lavishly scored oratorio.

17.
J. S. Bach: Ascension Oratorio (Laud To God In All His Kingdoms) (BWV 11) (Viola)~ Part (Choral)

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Thoroughly researched musical text of this lavishly scored oratorio.

18.
J. S. Bach: Ascension Oratorio (Laud To God In All His Kingdoms) (BWV 11) (Cello/Bass/Bassoon)~ Part (Choral)

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Thoroughly researched musical text of this lavishly scored oratorio.

19.
J. S. Bach: Ascension Oratorio (Laud To God In All His Kingdoms) (BWV 11) (Violin I)~ Part (Choral)

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Thoroughly researched musical text of this lavishly scored oratorio.

20.
J. S. Bach: Ascension Oratorio (Laud To God In All His Kingdoms) (BWV 11) (Violin II)~ Part (Choral)

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Thoroughly researched musical text of this lavishly scored oratorio.


1 2 3 4 5 6 7 8 9 10  Last 
Showing Results 1-20 of 614
Page 1 of 31