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Bärenreiter


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1.
Wolfgang Amadeus Mozart: Concerto for Bassoon in B-flat (K.191) (K.186e) (Urtext).~ Part (Piano)
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Concerto for Bassoon in B-flat (K.191) (K.186e) (Urtext).

2.
Wolfgang Amadeus Mozart: Concerto for Horn No.2 in E-flat (K.417) (Urtext).~ Part (Piano)
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Concerto for Horn No.2 in E-flat (K.417) (Urtext).
0, 2, 0, 0 - 2, 0, 0, 0, str, solo hn
Piano...

3.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Cello/Bass)~ Part (Double Bass)

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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.

4.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Violin I)~ Part (Violin)

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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.

5.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Violin II)~ Part (Violin)

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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.

6.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Viola)~ Part (Viola)

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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.

7.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Organ)~ Part (Organ)

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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.

8.
Wolfgang Amadeus Mozart: Concerto for Piano No.23 in A (K.488) (Urtext).~ Part (Orchestra)
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Concerto for Piano No.23 in A (K.488) (Urtext).
1, 0, 2, 2 - 2, 0, 0, 0, str, solo pf
Piano (2...

9.
Wolfgang Amadeus Mozart: Concerto for Violin No.2 in D (K.211) (Urtext).~ Part (Piano)
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Concerto for Violin No.2 in D (K.211) (Urtext).
vn, pf
Piano reduction
(New edition with Ca...

10.
J.S. Bach: Magnificat In D BWV243 (Organ)~ Part (Organ)
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The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).

11.
Wolfgang Amadeus Mozart: Concerto for Violin No.4 in D (K.218) (Urtext).~ Part (Piano)
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Concerto for Violin No.4 in D (K.218) (Urtext).
vn, pf
Piano reduction
(New edition with Ca...

12.
E. Elgar: Serenade For Strings Op.20 (Violin I)~ Part (String Orchestra, Orchestra)

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With Christopher Hogwood’s new edition of Elgar’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time.

13.
E. Elgar: Serenade For Strings Op.20 (Violin II)~ Part (String Orchestra, Orchestra)

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With Christopher Hogwood’s new edition of Elgar’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time.

14.
E. Elgar: Serenade For Strings Op.20 (Viola)~ Part (String Orchestra, Orchestra)

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With Christopher Hogwood’s new edition of Elgar’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time.

15.
E. Elgar: Serenade For Strings Op.20 (Cello)~ Part (String Orchestra, Orchestra)

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With Christopher Hogwood’s new edition of Elgar’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time.

16.
E. Elgar: Serenade For Strings Op.20 (Double Bass)~ Part (String Orchestra, Orchestra)

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With Christopher Hogwood’s new edition of Elgar’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time.

17.
W.A. Mozart: Misericordias Domini KV.222 (Barenreiter Urtext Edition) - Organ Part~ Part (Organ)


Organ part for Mozart's Misericordias Domini KV.222, composed for Mixed Choir (SATB), Strings and Basso continuo.

18.
W. A. Mozart: Te Deum Laudamus In C K.141 (Violin I)~ Part (Orchestra)

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Mozart's only Te Deum, K141, was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760.

19.
W. A. Mozart: Te Deum Laudamus In C K.141 (Violin II)~ Part (Orchestra)

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Mozart's only Te Deum, K141, was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760.

20.
W. A. Mozart: Te Deum Laudamus In C K.141 (Cello/Bass/Bassoon)~ Part (Orchestra)

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Mozart's only Te Deum, K141, was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760.


1 2 3 4 5 6 7 8 9 10  Last 
Showing Results 1-20 of 743
Page 1 of 38