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Forton Music


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1.
Geoff Warren: Six Kentish Trios~ Score and Parts (Flute)
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Geoff Warren's Six Kentish Trios for Flute.

2.
Eugene Magalif: Half Step Rag (Penguin)~ Score and Parts (Wind Quintet)
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A modern take on the ragtime style of Scott Joplin. Lots of parallel harmonies in all parts, and a chance for first Flute to show off!

3.
Eugene Magalif: Half Step Rag (Penguin)~ Score and Parts (Flute, Quintet)
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A modern take on the ragtime style of Scott Joplin. Lots of parallel harmonies in all parts, and a chance for first Flute to show off!

4.
Eugene Magalif: Colibri (Hummingbird)~ Score and Parts (Piano Accompaniment, Oboe)

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Inspired by watching hummingbirds flying and drinking nectar on his balcony, this work has been arranged by the composer for a number of instrumental combinations. It has become a firm favourite among Flautists, with numerous performances worldwide.

5.
Geoff Warren: Six Sketches~ Score and Parts (Piano Accompaniment, Flute)
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I wrote these pieces towards the end of summer 2014 at the request of various flautist colleagues who were telling me I should get back to writing for Flute and Piano.

6.
Domenico Falanga: Miscka~ Score and Parts (Flute, Ensemble)
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This piece has echoes of the minimalism of John Adams. The composition is characterized by blocks of sound with offset overlapping of rhythmic and melodic motifs that create a texture that is very rhythmically articulated yet euphonic, and from which spring harmonies resulting from the overlap of the repeating melodic lines of the individual instruments.

7.
Eugene Magalif: Colibri (Hummingbird)~ Score and Parts (Wind Quintet)
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Inspired by watching hummingbirds flying and drinking nectar on his balcony, this work has been arranged by the composer for a number of instrumental combinations. It has become a firm favourite among Flautists, with numerous performances worldwide.

8.
Juan Maria Solare: Mercy~ Score and Parts (Saxophone)

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For SATB Saxophone Quartet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale.

9.
Juan Maria Solare: Mercy~ Score and Parts (Clarinet)

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For 3 Bb Clarinets and 1 Bass Clarinet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems.

10.
Juan Maria Solare: Mercy~ Score and Parts (Flute)

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For 4 Concert Flutes, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale.

11.
Juan Maria Solare: Mercy~ Score and Parts (Wind Instruments)

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For Flexible Wind Ensemble – Flute1/Clarinet 1, Oboe 2/Clarinet 2, Instrument in F/Clarinet 3, Bassoon or Bass Clarinet 4. 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale.

12.
Keiron Anderson: Cool Pieces~ Score and Parts (Piano Accompaniment, Trumpet)
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The five pieces in this book are designed to be fun to play for both the pianist and the soloist, and to be equally enjoyable for the listener.

13.
Vincenzo Sorrentino: Sfavillante~ Score and Parts (Flute)
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This Flute trio is one of the last works by Vincenzo Sorrentino before his untimely death in 2013. The English translation of the title is ‘Sparkling’, and this piece certainly lives up to that name.

14.
Juan Maria Solare: Mercy~ Score and Parts (Brass Quintet)

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For Brass Quintet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale.

15.
Allan Herbie Jones: The Jolly Jester~ Score and Parts (Piano Accompaniment, Flute)

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As the title suggests, a joyful piece, in what I believe the medieval court Jester of the 12th or 13th century would play to entertain the nobility of that time.

16.
Lynne Williams: Duets For Young Players - Book 1 (Mini Bassoon/Bassoon)~ Score and Parts (Bassoon)

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Early grade duets aimed at younger players. In simple keys, these character pieces focus on techniques such as slurs, staccatos, basic counting and ensemble skills.

17.
Allan Herbie Jones: The Ballad Of John~ Score and Parts (Piano Accompaniment, Flute)

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The Ballad Of John is basically an exercise in tuning and tone control. Make the most of the 'ad lib' instruction throughout the piece; the player should be able to feel where more rubato must be used.

18.
Juan Maria Solare: Mercy~ Score and Parts (Flute, Alto Flute, Bass Flute)

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For 2 Concert Flutes, Alto Flute and Bass Flute – 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems.

19.
Leonello Capodaglio: Passe-Temps~ Score and Parts (Piano Accompaniment, Bass Clarinet)

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Passe-Temps is the digression from a fixed idea of a snowy day, with the mere thought of discovering new and interesting harmonies and sonorities from the warm, agile tone of the Bass Clarinet.

20.
David Osbon: Half Man Half Goat~ Score and Parts (Piano Accompaniment, Clarinet)

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In Cabaret Song we have the rather comic antics of Marsyas and his fellow Satyrs then, in Marsyas Dances, the main protagonist - represented by the Clarinet - performs a dance that celebrates the liberation of music from the Gods, so that it can be shared amongst the rest of society.


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Showing Results 1-20 of 387
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