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Alphonse Leduc


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1.
Gabriel Grovlez: Sarabande et Allegro for Alto Saxophone and Piano~ Instrumental Work (Piano Accompaniment, Alto Saxophone)
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Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile, from Operas and Ballets to solo works. Grovlez's Sarabande et Allegro is a sublime addition to the Alto Saxophone repertoire.

Many of the composer's works show neo-classical features, which is also the case in Sarabande et Allegro, where the texture is predominantly melody-dominated homophony, perfect cadences are frequently heard, and modulations to related keys occur. Grovlez's F minor Sarabande is in a steady, triple meter, superbly contrasted by the fast Allegro, composed in the relative major. All these features make for a thoroughly enjoyable and delightful performance!

2.
Eugène Bozza: Aria~ Instrumental Work (Piano Accompaniment, Alto Saxophone)

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Aria by Eugène Bozza (1905-1991) is a lyrical piece written in 1936 for advanced Alto Saxophone players. Technically and musically challenging, being able to master vibrato and control your instrument well will be greatly beneficial to effective playing of this piece.

Dedicated to the famous French Saxophonist Marcel Mule, Aria required from the player a good mastery of breathing as there are few rests and this also suggests that the intonation should be applied carefully as well.
A relaxed piece that's really popular among players, this piece can remind of the style of J. S. Bach and is thoroughly enjoyable.

Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He also composed several operas, chamber works and ballets among others.

3.
Maurice Ravel: Pièce en Forme de Habanera for Alto Saxophone and Piano~ Instrumental Work (Piano Accompaniment, Alto Saxophone, Saxophone)

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As a prestigious composer of the early 20th century, Maurice Ravel 's Pièce en Forme de Habanera contains many features which continue to make the composer's music popular and loved to this day.

Known for his masterful melodies and rich harmonies, Pièce en Forme de Habanera clearly exemplifies these qualities through flourishing Saxophone lines and evocative, chordal and rhythmic Piano accompaniments. Moreover, the Habanera rhythms throughoutthe piece create a dynamic and exciting effect. All of these musical elements combined create a highly enjoyable piece for the Alto Saxophone repertoire. In addition, the clear print of separate Saxophone and Piano parts in this edition add to an irresistable purchase for budding saxophonists.

4.
Maurice Ravel: Piece in the Habanera style for Cello and Piano~ Instrumental Work (Piano Accompaniment, Cello)

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As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera style, transcribed for the Cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day.

Known for his masterful melodies and rich harmonies, Piece in the Habanera style clearly exemplifies these qualities through flourishing Cello lines and evocative chordal and rhythmic Piano accompaniments. Moreover, Habanera rhythms heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the Cello repertoire. In addition, the clear print of separate Cello and Piano parts in this edition of Piece in the Habanera style add to an irresistible purchase for budding cellists.

5.
Amy Quate: Light of Sothis for Alto Saxophone and Piano~ Not Specified (Score, Piano, Saxophone)
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Contemporary composer Amy Quate works in a wide variety of musical styles, forms and media. Composed in 1982 and dedicated to saxophonist Debra Richtmeyer, Light of Sothis creatively depicts the brightest star in heaven.

Sothis, now called Sirius, is the star aspect of the goddess Isis, whose light confines the cycles of nature which bring beauty, prosperity and life. It is believed that Sothis blesses us with sacred illumination and it is this which Quate depicts in Light of Sothis. In three movements, Grace, Passion and Faith, the Saxophone line has lyrical melodies contrasted with dramatic scalic passages, covering the entire range of the instrument. Suitable for intermediate level saxophonists, a performance Quate's Light of Sothis proves to be an enticing prospect.

6.
Eugène Bozza: Badinage for Trumpet in C or B? and Piano~ Instrumental Work (Piano Accompaniment, Trumpet)
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Eugène Bozza's Badinage, meaning banter, is an exciting addition to the trumpeter's repertoire. Exploiting the instrument's potential, Badinage is ideal performance repertoire for intermediate- to advanced-level Trumpet players.

Born in Nice, Bozza (1905-1991) went on to study at the Paris Conservatoire, winning prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. His capability and creativity come across clearly in his Badinage for Trumpet and Piano through jesting, ascending arpeggio flourishes and energetic staccato call-and-response passages between the Trumpet and Piano. The comic nature of this piece is successfully portrayed, making Bozza's Badinage is an essential, fun and varied piece for the Trumpet repertoire.

7.
Paul Bazelaire/Luigi Boccherini: Rondo, for Cello and Piano~ Instrumental Work (Piano Accompaniment, Cello)

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As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the Cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day.

Known for his courtly, gallant style, Rondo, originally composed for Violin and Harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing Cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the Cello repertoire. In addition, the clear print of separate Cello and Piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.

8.
Francis Thomé: Fantaisie (Cornet / Trumpet and Piano)~ Instrumental Work (Piano Accompaniment, Trumpet)
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For Bb Cornet or Bb Trumpet with Piano accompaniment, Fantasy was composed by Francis Thomé. Written for the Paris Conservatoire contest in 1902, this piece is very musical and quite challenging and would fit upper intermediate players.

This piece can sound quite dramatic but is very melodious too and can be considered as an important addition to the repertoire for Trumpet and Cornet.

Francis Thomé (1850-1909) was a French pianist and a composer. He wrote some operas, some ballets, some operettas and some pantomimes.

9.
G. P. Telemann: Sonata (Soprano Saxophone and Piano)~ Instrumental Work (Piano Accompaniment, Soprano Saxophone)
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Sonata is a piece for Bb Soprano Saxophone and Piano composed by G. P. Telemann (1681-1767) and reviewed by Jean-Marie Londeix. Highly melodious, this piece, subtitled “Sicilianna”, is quite challenging (upper intermediate/advanced level) and lasts 7 and a half minutes.

The four parts of this piece are: 1. Andante (12/8 – tempo 50), 2. Spiritoso (3/4 – tempo 100), 3. Andante (4/4 – tempo 72) and Vivace (2/4 – tempo 120).

Jean-Marie Londeix is a musician who studied the Saxophone and the Piano. He also had some strong knowledge of chamber music, harmonies and of music history and obtained a First Prize and a Prize of Honour at the Paris Conservatoire.

10.
Pierre Gabaye: Boutade, for Trumpet and Piano~ Score (Piano Accompaniment, Trumpet)
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Successful French composer, Pierre Gabaye (1930-2000) studied at the Paris Conservatoire where he won the 1956 Prix de Rome. His competence is proven by his Boutade for Trumpet and Piano.

Gabaye's compositional style has been described as following the French neo-classical tradition, such as the music of Poulenc. Boutade exemplifies the composer's light-hearted music. A typical performance of the work lasts about two and a half minutes. For all advanced trumpeters seeking chirpy, lively and upbeat repertoire, Gabaye's Boutade is ideal.

11.
Henri Gagnebin: 23 Pièces Récréatives Et Progressives~ Instrumental Album (Flute)
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23 Pièces Récréatives Et Progressives by Henri Gagnebin. Part of the the Alphonse Leduc catalogue, this work has been produced to the highest editorial and printing standards.

12.
Charles-Marie Widor: Suite for Flute and Piano, Op. 34 (Flute and Piano)~ Not Specified (Flute)
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Charles-Marie Widor (1844-1937) was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including Suite for Flute and Piano, Op. 34 which was composed for Paul Taffanel.

This suite, a subtle mix of Romanticism and Classicism, particularly stands out for its nuances and is composed of four movements:
- Moderato
- Scherzo
- Romance
- Final

Charles-Marie Widor also composed 10 symphonies for Organ, some Operas, and some Piano Concerti.

13.
Philippe Gaubert: Sicilienne for Flute and Piano~ Instrumental Work (Piano Accompaniment, Flute)

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Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sicilienne being no exception.

After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire, as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sicilienne which was published in 1914. Addressing many technical features, including flourishing semiquaver passages, a wide range, changing time signatures, chromaticism, a variety in dynamics and dotted rhythms, Sicilienne is a pleasantly inspiring piece for aspiring flautists.

14.
Alexandre Aroutiounian: Aria and Scherzo for Trumpet and Piano~ Not Specified (Score, Piano, Trumpet)
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Armenian composer and pianist, Alexandre Aroutiounian (1920-2012) was awarded many prizes for his compositions throughout his career. His Aria and Scherzo for Trumpet and Piano is little-known, yet it is a sublime addition to the modern repertoire.

Aroutiounian's works have been performed all over the world and he is particularly remembered for his Trumpet Concerto. Melodic and rhythmic characteristics of Armenian music are prominent in Aroutiounian's works, further expressing his nationality by use of ashughner (folk minstrel) improvisations. Aria and Scherzo is made up of two movements, the Aria marked as adagio and the Scherzo as allegretto. Tonality is exploited throughout and contains unique uses of rhythm and ensemble. Aroutiounian's Aria and Scherzo is an exciting piece for all advanced trumpeters.

15.
Pierre Lantier: Sicilienne for Alto Saxophone and Piano~ Not Specified (Score, Piano, Alto Saxophone)
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Pierre Lantier (1910-1998) won the Grand Prix de Rome in 1937 and is remembered for a variety of works, most significantly his Sicilienne for Alto Saxophone and Piano.

Lantier's Sicilienne is particularly useful in learning elegance and a flowing musicality. The varying styles, tempos, dynamics and rhythms throughout create an appealing work to performers and listeners alike. The stylistic nuances of Lantier's piece, along with the evocative melodies make for a graceful work, well worth performing as an intermediate to advanced level saxophonist.

16.
Gabriel Fauré: Romance In A Op. 69~ Instrumental Work (Piano Accompaniment, Cello)

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Romance In A by Gabriel Fauré for Cello and Piano. Part of the the Alphonse Leduc catalogue, this work has been produced to the highest editorial and printing standards.

17.
Joseph-Henri Altès: Celebrated Complete Method of the Flute (Volume 2)~ Instrumental Work (Piano Accompaniment, Trumpet)
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Celebrated Complete Method of the Flute (Volume 2) is an entirely revised and new approach to Flute studies. French flautist, Joseph-Henri Altès (1826-1899) provides instruction on modern technique, supported by expansive exercises.

In volume two, instruction on scales and arpeggios and their fingering is included. This Altès volume concludes with further progressive exercises, incorporating duets, to ensure a smooth development and transition to the studies of the third volume. Celebrated Complete Method of the Flute (Volume 2) also considers syncopation, detailed ornamentation and transposition, among other aspects. Moreover, comprehensive instruction in French, English, German and Spanish is included. Celebrated Complete Method of the Flute is a crucial progression aid for intermediate to advanced level Flute players.

18.
Gabriel Fauré: Pièce~ Instrumental Work (Piano Accompaniment, Bassoon)

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Pièce by Gabriel Fauré for Bassoon and Piano. Part of the the Alphonse Leduc catalogue, this work has been produced to the highest editorial and printing standards.

19.
Pierre Max Dubois: Characteristic Pieces in the Form of a Suite for Alto Saxophone and Piano (To the Spanish Woman)~ Not Specified (Score, Piano, Saxophone)
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French composer, Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire, particularly for Saxophone. Characteristic Pieces in the Form of a Suite for Alto Saxophone and Piano was published in 1962 and remains popular in the advanced saxophonist's repertoire.

Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. The first part of Characteristic Pieces in the Form of a Suite for Alto Saxophone and Piano, To the Spanish Woman reflects Dubois' compositional characteristics as well as elements of Spanish traditional music and a typical performance lasts about three and a half minutes. Characteristic Pieces in the Form of a Suite is essential to the advanced saxophonist's repertoire. Dubois' most famous work makes for an exciting and enjoyable performance for players and audiences alike.

20.
Henri Busser: Les Cygnes For Flute And Harp (Or Piano)~ Instrumental Work (Piano Accompaniment, Flute, Harp)

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Les Cygnes is a very expressive and lyrical piece for flute with a simple harp (or piano) accompaniment, composed by Henri Busser (1872-1973).


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