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Bärenreiter


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1.
Barenreiter Notes: Manuscript And Notebook (Mozart Red)~ Manuscript

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A handsome as well as practical Notebook with alternate pages of musical staves on the left and writing lines on the right.

2.
My Progress - Music Lesson Book - Aufgabenheft Mit Stickerbogen~ Stationery (Violin)


“My Progress” is a notebook (DIN A5, 36 pages), which students and teachers can use for noting weekly tas…

3.
Emanuel Chabrier: Habanera (Urtext)~ Instrumental Work (Piano)

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  • SeriesBarenreiter Urtext Edition
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Chabrier was heralded by the young generation of composers in France, particularly by Debussy, Ra...


4.
Ludwig Van Beethoven: Für Elise (Barenreiter Edition)~ Instrumental Work (Piano)

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"Piano composition For Elise" is one of the most popular music bagatelles from the great composer which, since its origin, has appeared in many transcriptions and textual versions.

6.
Johann Sebastian Bach: Komm, Jesu, Komm BWV 229 - Barenreiter Urtext Choral Score~ Vocal Score (Choral, SATB)


Urtext chorus score edited by Konrad Ameln.

7.
W A Mozart: Mass in C K.317 Coronation Mass (Full Score)~ Score (Choral, SATB, Orchestra)

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Composed in 1779, Mozart’s “Coronation Mass” in C major, K. 317, is one of the most popular settings of the Ordinary, thanks to its festive character and the wealth and variety of its musical ideas.

8.
W. A. Mozart: Tantum Ergo In B-flat K.142 (Violin II)~ Part (Choral)

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  • SeriesBarenreiter Urtext
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Attributed to Mozart but possibly composed by Johann Zach and adapted by Mozart, the Tantum Ergo K.142 is scored for Soprano solo, mixed choir (SATB), 2 Trumpets, Strings and Basso continuo.


9.
W. A. Mozart: Tantum Ergo In B-flat K.142 (Viola)~ Part (Choral)

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Attributed to Mozart but possibly composed by Johann Zach and adapted by Mozart, the Tantum Ergo K.142 is scored for Soprano solo, mixed choir (SATB), 2 Trumpets, Strings and Basso continuo.


10.
W. A. Mozart: Tantum Ergo In B-flat K.142 (Cello/Bass)~ Part (Choral)

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Attributed to Mozart but possibly composed by Johann Zach and adapted by Mozart, the Tantum Ergo K.142 is scored for Soprano solo, mixed choir (SATB), 2 Trumpets, Strings and Basso continuo.


11.
W. A. Mozart: Tantum Ergo in B-flat K.142 (Trumpet I/II)~ Part (Choral)

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Attributed to Mozart but possibly composed by Johann Zach and adapted by Mozart, the Tantum Ergo K.142 is scored for Soprano solo, mixed choir (SATB), 2 Trumpets, Strings and Basso continuo.


12.
W. A. Mozart: Tantum Ergo in B-flat K.142 (Organ)~ Part (Organ)

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Attributed to Mozart but possibly composed by Johann Zach and adapted by Mozart, the Tantum Ergo K.142 is scored for Soprano solo, mixed choir (SATB), 2 Trumpets, Strings and Basso continuo.


13.
W. A. Mozart: Tantum Ergo in B-flat K.142 (Violin I)~ Part (Choral)

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Attributed to Mozart but possibly composed by Johann Zach and adapted by Mozart, the Tantum Ergo K.142 is scored for Soprano solo, mixed choir (SATB), 2 Trumpets, Strings and Basso continuo.


14.
Barenreiter Notes: Manuscript And Notebook (Schubert Yellow)~ Not Specified

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  • SeriesBarenreiter Urtext
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A handsome as well as practical Notebook in attractive Schubert yellow. Inside you will find alternate pages with musical staves on the left and writing lines on the right.

15.
Wolfgang Amadeus Mozart: Laudate Dominum (K.339) (from Vesperae solennes de Confessore) (Urtext).~ Vocal Score (Choral, Orchestra)

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Laudate Dominum (K.339) (from Vesperae solennes de Confessore) (Urtext).

16.
W. A. Mozart: Church Sonatas Vol 5 In C, K.263 (Cello/Bass)~ Part (Cello, Double Bass)

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Composed between 1772 and 1780, Mozart's 17 Church or "Epistle" Sonatas are short, single-movement pieces intended to be played during a celebration of the Mass.

17.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Cello/Bass)~ Part (Double Bass)

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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.

18.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Violin I)~ Part (Violin)

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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.

19.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Violin II)~ Part (Violin)

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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.

20.
J. S. Bach: Cantata No. 10: Meine Seel Erhebt Den Herren - BWV 10 (Viola)~ Part (Viola)

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  • SeriesBarenreiter Urtext
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With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke.


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Showing Results 1-20 of 632
Page 1 of 32