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Forton Music


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1.
Roma Cafolla: Ambidexterity~ Score and Parts (Piano Accompaniment, Clarinet)

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Roma Cafolla's Ambidexterity for Bb Clarinet and Piano.

2.
Roma Cafolla: Canzone~ Score and Parts (Piano Accompaniment, Clarinet)

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Roma Cafolla's Canzone for Bb Clarinet and Piano.

3.
Eugene Magalif: Colibri (Hummingbird)~ Score and Parts (Piano Accompaniment, Oboe)

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Inspired by watching hummingbirds flying and drinking nectar on his balcony, this work has been arranged by the composer for a number of instrumental combinations. It has become a firm favourite among Flautists, with numerous performances worldwide.

4.
Juan Maria Solare: Mercy~ Score and Parts (Saxophone)

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For SATB Saxophone Quartet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale.

5.
Juan Maria Solare: Mercy~ Score and Parts (Clarinet)

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For 3 Bb Clarinets and 1 Bass Clarinet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems.

6.
Juan Maria Solare: Mercy~ Score and Parts (Flute)

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For 4 Concert Flutes, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale.

7.
Juan Maria Solare: Mercy~ Score and Parts (Wind Instruments)

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For Flexible Wind Ensemble – Flute1/Clarinet 1, Oboe 2/Clarinet 2, Instrument in F/Clarinet 3, Bassoon or Bass Clarinet 4. 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale.

8.
Juan Maria Solare: Mercy~ Score and Parts (Brass Quintet)

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For Brass Quintet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale.

9.
Allan Herbie Jones: The Jolly Jester~ Score and Parts (Piano Accompaniment, Flute)

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As the title suggests, a joyful piece, in what I believe the medieval court Jester of the 12th or 13th century would play to entertain the nobility of that time.

10.
Lynne Williams: Duets For Young Players - Book 1 (Mini Bassoon/Bassoon)~ Score and Parts (Bassoon)

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Early grade duets aimed at younger players. In simple keys, these character pieces focus on techniques such as slurs, staccatos, basic counting and ensemble skills.

11.
Lynne Williams: Duets For Young Players - Book 1 (Oboe And Bassoon)~ Score (Bassoon, Oboe)

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Early grade duets aimed at younger players. In simple keys, these character pieces focus on techniques such as slurs, staccatos, basic counting and ensemble skills.

12.
Allan Herbie Jones: The Ballad Of John~ Score and Parts (Piano Accompaniment, Flute)

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The Ballad Of John is basically an exercise in tuning and tone control. Make the most of the 'ad lib' instruction throughout the piece; the player should be able to feel where more rubato must be used.

13.
Juan Maria Solare: Mercy~ Score and Parts (Flute, Alto Flute, Bass Flute)

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For 2 Concert Flutes, Alto Flute and Bass Flute – 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for Woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems.

14.
Leonello Capodaglio: Small Pages~ Score (Bassoon)

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These nine pieces for two Bassoons, gathered together in the collection called 'Small Pages', are characterised by accessible modern harmonies and structures, and even some humorous in-jokes.

15.
Leonello Capodaglio: Passe-Temps~ Score and Parts (Piano Accompaniment, Bass Clarinet)

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Passe-Temps is the digression from a fixed idea of a snowy day, with the mere thought of discovering new and interesting harmonies and sonorities from the warm, agile tone of the Bass Clarinet.

16.
David Osbon: Half Man Half Goat~ Score and Parts (Piano Accompaniment, Clarinet)

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In Cabaret Song we have the rather comic antics of Marsyas and his fellow Satyrs then, in Marsyas Dances, the main protagonist - represented by the Clarinet - performs a dance that celebrates the liberation of music from the Gods, so that it can be shared amongst the rest of society.

17.
David Osbon: Bone Ties~ Score and Parts (Piano Accompaniment, Trombone)

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I've always been fascinated by the depth of expression in the song cycles of Robert Schumann, and have tried, in these two pieces, to emulate that using the Trombone.

18.
David Osbon: Three Songs~ Score and Parts (Piano Accompaniment, Soprano Saxophone)

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Writing for Soprano Saxophone and Piano was a revelation - the dialogue between the instruments was as if they were two voices sharing a conversation on a subject that only they really knew about. So, I suppose, it was inevitable that I began to think of the pieces as a set of 'songs without words'.

19.
Roma Cafolla: XVIII Hour Day~ Score and Parts (Piano Accompaniment, Soprano Saxophone)

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Marked Presto con energia and in 5/4 - 6/4 - 4/4 the opening soon changes to a Moderato passage in 4/4 before returning to the original tempo and timing but with slight variation.

20.
Roma Cafolla: Playaround Book 2 For Flute~ Score and Parts (Piano Accompaniment, Flute)

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Playaround are graded pieces, divided into five books, written to encourage younger or less advanced players to perform.


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Showing Results 1-20 of 204
Page 1 of 11