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Forton Music


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1.
Robert Schumann: Three Romances~ Score and Parts (Alto Saxophone)

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These three gorgeous pieces showcase the lyrical romatic side of the saxophone.

2.
David Bevan: Flute Sonata~ Score and Parts (Piano Accompaniment, Flute)

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This Flute Sonata employs a light, tonally inflected dissonance redolent of Poulenc and Hindemith. The outer movements are characterised by motivic generation, dance rhythms and sectional contrast while the middle movement employs a loose twelve tone structure.

3.
Tony Lamb: Tones For Two~ Score and Parts (Clarinet)

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This piece was written many years ago while the composer was a student at the Royal College of Music, but it received its first professional performance in 2014, in a concert at St. John's Smith Square.

4.
Richard Lambert: Autumn Twilight~ Score and Parts (Piano Accompaniment, Oboe)

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This piece is a reworking of the song ‘An End’ from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement.

5.
Richard Lambert: Humoresque~ Score and Parts (Bassoon)

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Completed in January 2009, this short tour de force for the 'clown of the orchestra' exploits the humorous nature of the instrument, whilst exploring its full range.

6.
Richard Lambert: In The Quiet Evening Hours~ Score and Parts (Piano Accompaniment, Alto Flute)

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This piece is a reworking of the song ‘An End’ from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement.

7.
Richard Lambert: Shadow Veiled As The Years Pass~ Score and Parts (Piano Accompaniment, Flute)

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This piece is a reworking of the song ‘An End’ from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement.

8.
Cormac Dorrian: Next Sunday Afternoon~ Score and Parts (Piano Accompaniment, Oboe)

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A lovely, melodic tune over rich, tonal chords opens this piece. The central section becomes a little more agitated, before the opening tunes return to bring the piece to a calm conclusion.

9.
Myrto Korkokiou: Ghost~ Score (Flute, Electronics)

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Ghost (2010) is a continuous and kinetic transition between imaginary sound environments, an intense dialogue between the Flute and the surrounding, continuously transforming sound-world of the Electronics.

10.
Yuri Povolotsky: Suite In Retro Style~ Score and Parts (Piano Accompaniment, Alto Saxophone)

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This suite was composed in 2010. Its genre orientation is closest to the term 'crossover music', and it consists of three movements: Merry Constantine, Armenian Montmartre and From The Sixties.

11.
Liz Sharma: Three's Company~ Score and Parts (Clarinet)

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These three trios have been written with developing players in mind. They are intended to be a fun modern twist on counterpoint.

12.
Ricky Chaggar: Serenade~ Score and Parts (Piano, Flute, Harp)

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This piece has a lyrical and sentimental feel, with slightly melancholic moments. The Flute takes the lead, with the Harp (or Piano) accompanying.

13.
Frank Bridge: Four Short Pieces~ Score and Parts (Clarinet, Piano Accompaniment)

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First published in 1912, this set of pieces was dedicated to one of Bridge's Violin pupils, Cynthia Lubbock. These four character pieces are eloquently descriptive, and perfectly match their titles.

14.
Carl Nielsen: Selected Solos~ Score and Parts (Piano Accompaniment, Oboe)

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This volume is designed to give younger Oboe players access to the music of this most intruiging composer, and was inspired by his Fantasy Pieces Op. 2.

15.
Yuri Povolotsky: Sonata Dell'Arte~ Score and Parts (Piano Accompaniment, Tuba)

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The name itself immediately submerges the piece in an atmosphere of buffoonery and theatricality; a kaleidoscopic changing of masks, rhythms and moods. The themes of a comic march and arias in the 'lamento' spirit are intertwined in the sonata form of the first movement.

16.
Michael Walshe: Cavatina & Villanelle~ Score and Parts (Piano Accompaniment, Flute)

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For quite a few years before I took up the Clarinet I was a serious Recorder player, and I wrote a little suite of pieces in the style of Byrd and Farnaby for Recorder and Spinet called 'His Folly'. Some years later I decided to write a couple of simple very simple pieces for Flute and Piano which were also within the treble Recorder range.

17.
Frank Bridge: Selected Pieces~ Score and Parts (Clarinet, Piano Accompaniment)

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Bridge wrote very little for wind instruments, being a string player and teacher himself. These five pieces have been arranged from his string chamber music to rectify this issue, and to bring these beautiful works to new players and audiences.

18.
C. W. Gluck: Dance Of The Blessed Spirits~ Score and Parts (Flute, Ensemble)

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A lovely arrangement of this classic Flute piece for solo bass or concert Flute, accompanied by low Flute ensemble. This is a great addition to the concert repertoire.

19.
C. H. H. Parry: Two Intermezzi~ Score and Parts (Clarinet, Trio)

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These two Intermezzi were written in 1886. The first is a miniature composition in a melancholy mood, whilst the second is a more extended composition in a lighter style.

20.
Lenny Cavallaro: 2nd Oboe Sonata~ Score and Parts (Piano Accompaniment, Oboe)

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My Opus 2 - Sonata No. 2 in E minor for Oboe (or Flute) and Piano (or Harpsichord) is another baroque style composition. Like the Op. 1 Sonata for the same instruments, it follows the familiar four movement structure common to the period.


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Showing Results 1-20 of 231
Page 1 of 12