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Oh, Lady Be Good!
Storyville Records
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Oh, Lady Be Good!


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4.
Lester Young: 100 Years - Forever Young~ Recorded Performance
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You can't overestimate Lester Young's importance on the development of modern jazz. His superb melodic gift and logical phrasing and smooth, flowing lines were the inspiration for most of the jazz musicians born after 1920.

5.
Art Tatum Live: Volume One 1934-1944~ Recorded Performance
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This is the first of a nine-volume 18-track set, comprised primarily of previously unissued performances by the legendary jazz pianist. While the tracks here are from the earlier part of Tatum's career, his astonishing technique and creative brilliance are all impressively showcased here.

6.
Red Mitchell/Warne Marsh: Big Two~ Recorded Performance
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Red Mitchell and Warne Marsh had a series of engagements in Scandinavia during April of 1980. On the 18th and 19th of April they were playing at the Fasching Club in Stockholm where these two CD's were recorded.

7.
Red Mitchell/Warne Marsh: Big Two Volume 1~ Recorded Performance
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Recorded live at Fasching Club, Stockholm on April 18th and 19th 1980.

9.
Harry 'Sweets' Edison/Eddie 'Lockjaw' Davis/Richard Boone: With Leonardo Pedersen's Jazzkapel~ Recorded Performance

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While there is a distinct Kansas City/Count Basie feel to this album, the repertoire also includes some Horace Silver bop classics and Louis Jordan jump-jive favourites.

10.
Count Basie: A Jumpin' Jubilee~ Recorded Performance


As part of the U.S. effort in World War II, top jazz musicians donated their services in making special recordings – The Jubilee Shows – to boost the morale of American troops.

12.
Stuff Smith: Hot Stuff~ Recorded Performance
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This CD was recorded in Copenhagen, Denmark, and consists of a live concert in Jazzhus Montmartre in 1965 and a radio studio session (with violinist Svend Asmussen) in 1966.

13.
Benny Carter: The Radio Years 1939-1946~ Recorded Performance


Here, for the first time on CD, 61 minutes (20 tunes) with the Benny Carter Orchestra; radio broadcasts from between 1939 and 1946 recorded both at a ballroom and in the studio in Los Angeles, and at the Savoy Ballroom in Harlem.


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