Bob Chilcott


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121.
Arr. Katie Melua/Bob Chilcott: The Little Swallow/Shchedryk~ Vocal Score (Choral, SATB)

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Katie Melua and Bob Chilcott's version of the traditional Ukrainian carol The Little Swallow/Shchedryk for SATB choir unaccompanied.


122.
Bob Chilcott: And Peace On Earth (Vocal Score)~ Vocal Score (Choral, SATB, Piano Accompaniment, High Voice, Unison Voice)


This richly expressive cantata sets five discrete texts, each reflecting a different aspect of Christmastide, for female sololist, children's choir, SATB and Piano.

123.
Bob Chilcott: Advent Antiphons~ Vocal Score (Choral, SATB)

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Composed for the Reykjavik Cathedral Choir's Solo Dei Gloria festival in 2004, Advent Antiphous is an exquisite concert setting of the Great O Antiphons.

124.
Bob Chilcott: A Sporting Chance~ Vocal Score (Choral, Unison Voice)

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For Unison upper voices (with optional parts), Brass Quintet, and optional Percussion.

125.
Thomas Tallis: Canon~ Vocal Score (Choral, SATB)

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This piece will be enjoyed by Church and chamber choirs alike.

126.
Bob Chilcott: So Fair And Bright~ Vocal Score (Choral, Piano Accompaniment, SSAA)

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This lively setting of the medieval 'Hymn to the Virgin' text has a sparkling Piano accompaniment, syncopated rhythms, and real flair.

127.
Bob Chilcott: The Isle Is Full Of Noises~ Vocal Work (Choral, SATB)

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Bob Chilcott's The Isles is full of Noises is a lively and light song for SAATB chorus, with lyrics from Shakespeare's The Tempest.

128.
Buffalo Gals~ Vocal Score (Choral, SATB, Piano Accompaniment)

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This up-beat and exubert arrangement of a classic American folk song is a real show-stopper. Arranged by Bob Chilcott for SATB and Piano accompaniment.

129.
Bob Chilcott: Remember, O Thou Man~ Vocal Score (Choral, SATB, Piano Accompaniment)


This is a hauntingly beautiful, spiritual-style setting of a sixteenth-century text attributed to Thomas Ravenscroft, for SATB chorus with Piano accompaniment.

130.
Bob Chilcott: Vertue~ Vocal Score (Choral, Piano Accompaniment, Organ Accompaniment, SSA)


This setting of a text by George Herbert is written by Bob Chilcott for Unison and Divisi Upper Voices with Piano or Organ accompaniment.

131.
Bob Chilcott: Nidaros Jazz Mass~ Vocal Score (Choral, Piano Accompaniment, SSAA)

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The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis.

132.
Bob Chilcott: The Voyage~ Vocal Score (Choral, SATB)
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In this collaboration with author Charles Bennett, the journey of a boat becomes a metaphor for the journey through life.

133.
Bob Chilcott: Three Choirs Service (Magnificat And Nunc Dimittis)~ Vocal Score (Choral, SATB)

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Bob Chilcott's Three Choirs Service (Magnificat And Nunc Dimittis) for SATB and Organ.

134.
Bob Chilcott: Singing By Numbers~ Vocal Score (Choral, SATB, Piano Accompaniment)

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Singing By Numbers is a celebration of singing in all it's various forms. It includes an assortment of texts on the subject, from sources as diverse as Spike Milligan, Thomas Ravenscroft and the Song Of Solomon.

135.
Bob Chilcott: Thou, My Love, Art Fair~ Vocal Score (Choral, SATB)

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Thou, My Love, Art Fair sets the William Baldwin poem Christ to his spouse. This delightful song makes full and effective use of the voice parts and features charming harmonies and interweaving melismas, which combine to form a beautifully elegant piece of music.

136.
Bob Chilcott: My Prayer~ Vocal Score (Choral, SATB)

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For SSAATTBB unaccompanied, this is a beautifully expressive piece based on Psalm 102, verse 1.

137.
Bob Chilcott: And Every Stone Shall Cry~ Vocal Score (Choral, SATB)

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This poignant and reflective carol is set to a poetic text by Richard Wilbur, inspired by verses from St. Luke's Gospel.

138.
Bob Chilcott: The White Field~ Vocal Score (Choral, SATB, 2-Part Choir)

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Setting a text by Charles Bennett, The White Field presents a dreamlike scene in which blackbirds plant songs in the cold earth and await the growth of their music.

139.
Bob Chilcott: The Abolition Of Slavery~ Vocal Score (Choral, SATB)

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Originally the second movement of Chilcott's Choral work 'Five Days that Changed the World', this setting of words by Charles Bennett reflects on one of the most significant events of our time.

140.
Bob Chilcott: The Abolition Of Slavery~ Study Score (Choral, SSAA)

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Originally the second movement of Chilcott's Choral work Five Days that Changed the World, this setting of Charles Bennett's text has melodic and interweaving Choral parts, with the Piano part providing harmonic support for the voices throughout.


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Showing Results 121-140 of 213
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