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1.
J. S. Bach: Cantata No.211 - Coffee Cantata BWV 211 (Vocal Score) ~ Vocal Score (Choral, Orchestra)
£4.80 
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Skill Level Intermediate/Advanced
Media Sheet Music
Publisher Bärenreiter

The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander, are among the best-known and most frequently performed of Bach’s secular cantatas. More
2.
Beethoven: The Choral Symphony (Last Movement) ~ Vocal Score (Soprano, Alto, Tenor, Bass, Soprano, Alto, Tenor, Bass, Orchestra)
£2.99 
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Publisher Novello & Co Ltd.

A new vocal score for the last movement from Beethoven's famous Ninth Symphony in D Minor (The Choral Symphony), containing the popular Ode To Joy.

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3.
Ludwig Van Beethoven: Mass In C Op.86 (Vocal Score) ~ Vocal Score (Choral, Orchestra)
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Skill Level Advanced
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Publisher Bärenreiter

Amongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctly modern piece of sacred music. More
4.
Wolfgang Amadeus Mozart: Mass in C (K.317) (Coronation Mass) (Urtext). ~ Vocal Score (Orchestra)
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Publisher Bärenreiter

Mass in C (K.317) (Coronation Mass) (Urtext).
0, 2, 0, 2 - 2, 2, 3, 0, timp, org, str, solo SATB,...

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5.
J. S. Bach: Cantata No. 51 - BWV 51 (Vocal Score) ~ Vocal Score (Choral, Orchestra)
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Publisher Bärenreiter

Jauchzet Gott In Allen Landen - Praise Ye God Throughout Creation BWV 51. Cantata for the 15th Sunday after Trinity. More
6.
W. A. Mozart: Te Deum Laudamus In C K.141 (Vocal Score) ~ Vocal Score (Orchestra)
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Publisher Bärenreiter

Mozart's only Te Deum, K141, was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. More
7.
Wolfgang Amadeus Mozart: Mass in C minor (K.427) (K.417a) (Urtext). (Credo & Sanctus reconstructed & completed by Helmut Eder). ~ Vocal Score (Orchestra)
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Publisher Bärenreiter

Mass in C minor (K.427) (K.417a) (Urtext). (Credo & Sanctus reconstructed & completed by Helmut Eder... More
8.
Wolfgang Amadeus Mozart: Vesperae solennes de Confessore (K.339) (Urtext). ~ Vocal Score (Orchestra)
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Vesperae solennes de Confessore (K.339) (Urtext).
0, 0, 0, 1 - 0, 2, 3, 0, timp, org, str, solo S...

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9.
H. Schutz: Magnificat (SWV 468) (Favoritchoir/Organ) ~ Vocal Score (Orchestra, SATB)
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Skill Level Advanced
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Publisher Bärenreiter

Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). More
10.
H. Schutz: Magnificat (SWV 468) (Cappellchorus II) ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). More
11.
H. Schutz: Magnificat (SWV 468) (Cappellchorus I) ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). More
12.
G. F. Handel: Esther (HWV 50a) (1st Version 1720) (Vocal Score) ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

The oratorio “Esther” is the first English language oratorio and also the first oratorio by Handel based on a theatre tragedy - Jean Racine’s “Esther”. For the first time Handel drew on his knowledge gathered from stays More
13.
H. Berlioz: Romeo Et Juliette Op.17 (Vocal Score) ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

For his third symphony “Roméo et Juliette” (1839) Berlioz turned to his greatest literary passion, Shakespeare, drawing once again on his own most fervent experiences. More
14.
G. F. Handel: O Sing Unto The Lord HWV 249a Chapel Royal Anthem (Vocal Score) ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

Handel’s four anthems were all composed during his London period in the Chapel Royal. Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music. More
15.
H. Berlioz: Lelio Ou Le Retour A La Vie (Vocal Score) ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

Lélio was composed during Berlioz's stay in Italy in 1831. He conceived the idea of a semi-theatrical work that combined music and monologues to express the idea of returning to life after a profound traumatic experience.

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16.
G. F. Handel: The King Shall Rejoice HWV 260 Coronation Anthem (Vocal Score) ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment, HWV 260 his actual coronation.

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17.
G. B. Pergolesi: Mass In F - Missa Romana (Vocal Score) ~ Vocal Score (Orchestra, SATB)
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The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime. More
18.
G. F. Handel: Zadok The Priest HWV 258 Coronation Anthem (Vocal Score) ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

Zadok The Priest HWV 258 (BA10258) and The King shall rejoice HWV 259 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). More
19.
J. D. Zelenka: Missa Divi Xaverii (ZWV 12) Vocal Score ~ Vocal Score (Orchestra, SATB)
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Publisher Bärenreiter

The “Missa Divi Xaverii” ZWV 12, an expansive and unusually richly scored work, marks a highlight in the œuvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Dresden court. More
20.
Telemann: Gott Der Hoffnung Erfülle Euch (TVWV 1:634) (Vocal Score) ~ Vocal Score (Choral, Orchestra)
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Publisher Bärenreiter

In 1717 Telemann composed his cantata “Gott Der Hoffnung Erfülle Euch” for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the “Concerten-Jahrgang”, also known as “Das Harmonische Zion” or “Italienischer Jahrgang” where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. More

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