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In the space of a few months, in the autumn and winter of 1789, Mozart filled more than 650 pages of a score that shows practically no signs of mental or physical exertion. The result was one of his most profound operas, Così fan tutte
W.A. Mozart: La clemenza di Tito (Titus) K.621
Mozart composed his last two great operas, “Die Zauberflöte”, K.620, and “La clemenza di Tito”, K.621: within the six-month period from April to September 1791.
W.A. Mozart: Don Giovanni K.527
The opera has moved audiences over and over again and has occupied a special position in Mozart’s rich and variegated output for the stage.
Die Entführung aus dem Serail (K. 384; The Abduction from the Seraglio) is an opera Singspiel in three acts by Wolfgang Amadeus Mozart.
On 29 January 1781 Idomeneo, K. 366, received its first performance at the Cuvilliés-Theater in Munich. It was Mozart’s second opera for the Munich court, the first being his opera buffa La finta giardiniera of 1775.
With “L’Ile De Merlin Ou Le Monde Renversé” Gluck created an enchanting buffo work which draws its charm not only from its colourful music with appealing details of instrumentation and characterisation but also from the juxtaposition of real, mythological and fairy-tale figures as well as from the critical social undertones in the libretto.
The Magic Flute remains Mozart's most popular opera worldwide to this day.
Edouard Lalo composed two operas: “Le Roi d’Ys” enjoyed considerable success at its first perform... More
Chamber Opera (for 3 singers, wind quintet, string quintet, 2 pianos and 8 chorus)
1.Vocifération funèbre; 2.Libation; 3.Incantation; 4.Présages; 5.Exhortation; 6.Hymne à la Justice; 7.Conclusion (Soli, SATB chorus and piano duet (or orchestra))
Opérette en 1 Acte (STB soli, wind (2111+1000), cornet, timpani, percussion, triangle and strings) - parts on hire
Ballet-Opéra (1731 Version)
Ballet-Opéra (adapted by Favart from the Story by Cervantès)