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French Romantic Repertoire introduces the pianist to a fascinating world of charm and sophistication.
Just back from a trip to Leipzig in the early autumn of 1950 where he heard Bach's Well-Tempered Klavier at the Bicentennial Bach Competition played by the Russian pianist Tatiana Nikolaeva, Shostakovich began his own series of 24 Preludes and Fugues, Op. 87, based on Bach's model.
Dvorak wrote to his Berlin publisher in 1889 informing them of the composition of the Poetic Tone Pictures (Op. 85) and adding "You will like the compositions. Each piece has a title and is meant to describe something."
Eighteen pieces edited and annotated by Richard Jones for the ABRSM. Includes the Fantasia In C Minor K.396.