Viol
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Novello & Co Ltd. |
Score and parts for Viol consort. More
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| 2. |
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Novello & Co Ltd. |
Score and parts for Viol consort. More
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| 3. |
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Novello & Co Ltd. |
Score and parts for Viol consort. More
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| 4. |
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Novello & Co Ltd. |
No Description Available More
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| 5. |
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Novello & Co Ltd. |
For Viol Consort. Score and parts.
Edited by Lionel Pike. More
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| 6. |
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For Soprano and 2 Bass Viols.
Published in 2003.
Also available for Soprano and 2 celli. First performed by Evelyn Tubb with Music and Mirth.
Score and Parts. More
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| 7. |
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Intermediate |
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Chester Music |
Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music. More
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| 8. |
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Chester Music |
Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music. More
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| 9. |
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| £82.95 |
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Stainer & Bell |
Edited by William Coates & Thurston Dart A rich anthology of fantasias and dances for 'whole' consorts of two to six parts, by 34 composers from Adson to Wilbye - and Anon. More
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| 10. |
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| £77.00 |
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Stainer & Bell |
Edited by Ian Payne John Ward's music for four viols shows less consistency of style than his work for five- or six-part consort. More
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Stainer & Bell |
Edited by Christopher Field and David Pinto The rich store of music in this volume includes the In Nomine 'Through All Parts', the 'Dovehouse Pavan', the four- and five-part hexachord compositions with their radical and exploratory modulations, Ben Jonson's A Hymn to God the Father in a four-note ostinato setting, tuneful almains, and the four-part version of 'On the Hexachord'. More
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| 12. |
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Edited by Andrew Ashbee Ten fantasia-suites, for two treble viols, bass viol and organ, written early in the composer’s career, and fifteen fantasia-air sets, probably late productions, add to the significant corpus of music for viol consort by this outstanding seventeenth-century composer who inherited and expanded the tradition of instrumental fantasias handed down from Coprario and Lawes. More
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Edited by Andrew Ashbee Twenty-eight pieces for treble, two basses and organ, and twenty-one for two trebles and a bass, attest to the degree of mastery achieved by John Jenkins in the traditional fantasia form. More
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Edited by Ian Payne A contemporary of Gibbons and a noted madrigalist, Ward was also a prolific composer of consort music in the madrigalian style. More
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| 15. |
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| £80.00 |
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Edited by Andrew Ashbee and Bruce Bellingham The first of three volumes presenting the surviving instrumental music of Alfonso Ferrabosco the Younger. More
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| 16. |
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Edited by Richard Charteris Probably written for Charles I when Prince of Wales, Coprario's fantasia suites -16 for viol, bass viol and organ, eight for two violins, bass viol and organ - established a texture that was developed without interruption in the works of Lawes, Jenkins, Gibbons and Locke and culminated in Purcell's 12 Sonatas of 1683. More
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Stainer & Bell |
Edited by Paul Doe Five-part consorts by Christopher Tye form a substantial corpus of the works collected in this volume, and appear alongside pieces by Anon, Blanks, Harding, Mundy, Weelkes, Woodson and others. More
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| 18. |
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Stainer & Bell |
Edited by Paul Doe With MB45 this volume completes the publication of extant In Nomines and related pieces used for consort performance in the reign of Elizabeth 1 - excluding the music of William Byrd and works by Scottish composers collected in MB15. More
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| 19. |
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Edited by Warwick Edwards 15 pieces from the Walsingham Consort Book of 1588 and 19 pieces from Matthew Holmes's Consort Books, c. More
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| 20. |
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| £62.00 |
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Stainer & Bell |
Edited by Donald Peart Complementary to MB26, these six-part fantazias, pavines, fancies and In Nomines - all except one in minor keys - show Jenkins' profound technical mastery of the consort idiom extended to the handling of larger forces. More
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