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1.
Francis Poulenc: Trois Pièces for Piano~ Instrumental Album (Piano)
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Born in Paris in 1899, Francis Poulenc soon became a notable composer and pianist. His Trois Pièces for Piano were composed in 1928, towards the beginning of his career and paved the way for exceptional Piano works from the composer.

Poulenc, as a member of Les Six, composed music in a style contrary to that of Richard Wagner and impressionists Claude Debussy and Maurice Ravel. Trois Pièces for Piano is made up of three movements, 1. Pastorale, 2. Hymne and 3. Toccata, all of which exploit the Piano to its full potential. Being an imaginative and evocative composition, Trois Pièces for Piano is a pleasure to play for all pianists.

2.
Reynaldo Hahn: Chansons Grises~ Vocal Album (Piano Accompaniment, Voice)
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Chansons Grises is a collection of seven beautiful settings of Paul Verlaine's poems, by Reynaldo Hahn, for voice with piano accompaniment.

3.
Darius Milhaud: Duo concertante, Op. 351 (Clarinett and Piano)~ Not Specified (Score, Clarinet)
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Duo Concertante, Op. 351 by Darius Milhaud was composed in 1956 for the Paris Conservatoire Contest.

Many influences can be recognised in this piece: from the Provence where he was born, to Jazz and other melodies of South America.

Lasting approximately 7 minutes, Duo Concertante, Op. 351 is started by a fanfare with a strong energy reminiscent of the South of France, followed by a simple and moderate Clarinet partly joined by Piano chords. The initial theme is then repeated one last time for the finale.

Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the The Group of Six and was strongly influenced by Jazz. His opus list ended at 443.

4.
Reynaldo Hahn - Melodies Volume 2 (Voice and Piano)~ Vocal Album (Piano Accompaniment, Voice)
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As Proust liked to remind us, Reynaldo Hahn (1875-1947) had a clear voice that was really appreciated in Paris at the time: he believed Hahn’s mouth was a genius music instrument that was letting the most beautiful, sad yet warm voice out when he was singing.

Following the first volume written in 1986, Melodies Volume 2 comprises twenty exciting songs for Voice with Piano Accompaniment, composed by Reynaldo Hahn.

These twenty melodies are: Quand la nuit n'est pas étoilée – Cantique - La Délaissée - La chère blessure – Théone - Le souvenir d'voir Cante -Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau – Fumée - Le printemps - Dans la nuit - Les fontaines - A Chloris - Le rossignol des lilas - A nos morts ignorés - Ma jeunesse - Le plus beau présent - Puisque j'ai mis ma lèvre - La douce paix

5.
Francis Poulenc: Nocturnes for piano (Piano)~ Instrumental Album (Piano)
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Nocturnes is a set of 8 pieces for piano by Francis Poulenc. Composed between 1929 and 1938 for intermediate players, this set was composed as a cycle and represents night scenes of different events. They can be differentiated from most of the other nocturnes as they are not romantic tone-poems.

Nocturnes’s eight pieces are:
- 1st Nocturne (C Major)
- 2nd Nocturne – Young girl's ball / Bal de jeunes filles (A Major)
- 3rd Nocturne – Maines’ bells / Les Cloches de Maines (F Major)
- 4th Nocturne – Ghost’s Ball / Bal fantome (C minor)
- 5th Nocturne –Moths / Phalenes (B minor)
- 6th Nocturne (G major)
- 7th Nocturne (Cb major)
- 8th Nocturne (For Coda)

Francis Poulenc is French compositor and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmélites'), ballets ('Les Biches') as well as some Orchestra works.

6.
Philippe Gaubert: Sonata No. 3 for Flute and Piano~ Score (Piano Accompaniment, Flute)
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Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sonata No. 3 being no exception.

After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonata No. 3, which was published in 1934. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Sonata No. 3 is a challenging yet riveting and stirring piece for aspiring flautists.

7.
Pierre Villette: Salve Regina (SATB)~ Vocal Score (Choral, SATB)

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This edition of Salve Regina by Pierre Villette is a version of this Marian hymn for SATB a cappella. It's written with lyrics in Latin and should be sung at a slow tempo (52).

The lyrical piece features a long introduction followed by the Soprano solo and a finale. At the end of the solo, the voices alternate between the initial tempo and some slower parts to arrive to the close and finish in harmony.

Pierre Villette (1926-1998) was a French composer of choral and instrumental music. Strongly influenced by Catholicism, his musical heritage ran from Fauré to Messiaen.

8.
Francis Poulenc: Pastourelle No.8 - Piano~ Instrumental Work (Piano)

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9.
Pierre Villette: O Salutaris (SATB)~ Vocal Score (Choral, SATB)

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With music composed by Pierre Villette, O Salutaris, Op.21 is a an Eucharistic hyhmn written for the Feast of the Corpus Christi, for SATB choral a cappella. Dedicated to Jules Lambert, director of "La cantate" in Rouen, this religious piece is very lyrical and melodious.

Written in Latin, this piece necessitates being sung at a slow tempo (58), including three principal verses and finishing with the voices in harmony. It is mainly used for the Adoration and the Blessed sacrament.

Pierre Villette (1926-1998) was a French composer of choral and instrumental music. Strongly influenced by Catholicism, his musical heritage ran from Fauré to Messiaen.

10.
Francis Poulenc: Les Biches (Orchestra)~ Study Score (Orchestra)
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This edition of Les Biches by Francis Poulenc features the score for the whole Orchestra. Initially written as Ballet, it was revised as a suite for Orchestra in the 1940s. This piece has a light style, considered “beautiful and melancholic” by Jean Cocteau.

Lasting 15 minutes 30 seconds, it is divided into five parts:
1. Rondeau
2. Adagietto
3. Rag-Mazurka
4. Andantino
5. Finale

Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas, ballets as well as some Orchestral works.

11.
Francis Poulenc: Serenade, transcribed for Cello and Piano by Maurice Gendron~ Instrumental Work (Piano Accompaniment, Cello)

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Born in Paris in 1899, Francis Poulenc soon became a notable composer and pianist. His Serenade, originally composed in 1925-1926 for Voice and Piano, met much success as part of his Bawdy Songs. Therefore, it was well-received when Maurice Gendron transcribed it for Cello and Piano.

Poulenc, as a member of Les Six, composed music in a style contrary to that of Richard Wagner and impressionists Claude Debussy and Maurice Ravel. Serenade reflects the composer's contrasting style, making use of a 6/8 time signature, double stops, variations in articulation and wide range on the Cello. Being an imaginative and evocative composition, Serenade, transcribed for Cello and Piano, is a pleasurable addition to the repertoire.

12.
Reynaldo Hahn: Venezia (Voice and Piano)~ Vocal Album (Piano Accompaniment, Voice)
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Venezia is a set of six songs of music by Reynaldo Hahn. For Voice and Piano, the lyrics are written both in Venetian dialect and in French. The Piano score requires an upper-intermediate technique, as per the Voice. A small guide to correct pronunciation is given at the beginning of the book.

The six songs are:
- “Sopra l’acqua indormenzada” by Pietro Pagello
- “La Barcheta” by Pietro Buratti
- “L’avertimento” by Pietro Buratti
- “La Biondina in Gondoleta” by Antonio Lamberti
- “Che peca !” by Francesco Dall’ Ongaro
- “La Primavera” by Alvise Cigogna

Some of these pieces are dedicated to renowned women such as Giorgio Sand, the Countess of Guerne born Ségur and Ernesta Sterne.

Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments.

13.
Darius Milhaud: Four Faces (4 - The Parisian Woman), for Viola and Piano~ Instrumental Work (Piano Accompaniment, Viola)
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French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th Century as a member of 'Les Six'. His compositions remain highly regarded, Four Faces being no exception.

Milhaud's compositions are influenced by jazz and polytonality, as exemplified in Four Faces. The fourth of Four Faces, The Parisian Woman, is an alternative, exciting piece for advanced violists. Composed in 1943, Milhaud makes use of harmonics, complex rhythms, ornamentation, altering time signatures and clefs, double stops, variation in dynamics and a wide tessitura, among other aspects. Milhaud's Four Faces is essential to all aspiring violists.

14.
Francis Poulenc: Bawdy Songs~ Vocal Album (Piano Accompaniment, Baritone Voice)
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Poulenc's song cycle, Bawdy Songs was composed in 1925-1926 during the post-war euphoria. The cycle is essential to aspiring, advanced Baritones.

Francis Poulenc (1899-1963) was a highly prolific composer, and remains popular to this day. Bawdy Songs was composed towards the beginning of the composer's career for Baritone Pierre Bernac. At the first performance, Poulenc himself played the piano and the song cycle was immediately a hit. Bawdy Songs is made up of eight songs which alternate between lively and slow tempos; 1) The Fickle Mistress, 2) Drinking Song, 3) Madrigal, 4) Summoning the Fates, 5) Bacchanalian Couplets, 6) The Offering, 7) The Beautiful Youth, and 8) Serenade. As a song cycle with much variation, Poulenc's Bawdy Songs is an exciting addition to the Baritone repertoire.

15.
Darius Milhaud: Four Faces: III. The Brussel Girl (Viola and Piano)~ Instrumental Work (Piano Accompaniment, Viola)

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Third of the series of “Four Faces” by Darius Milhaud, III. The Brussel Girl is a short piece for Alto and Piano. Easy to play, it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only.

16.
Darius Milhaud: Four Faces: I. The Californian girl (Viola and Piano)~ Instrumental Work (Piano Accompaniment, Viola)

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First of the series of “Quatre Visages” by Darius Milhaud, I. La californienne is a short piece for Viola and Piano. With some difficulties, it requires some intermediate technique of the instrument and some theory knowledge to read in different keys. The book includes the score for Viola and Piano and the part for Viola only.

17.
Gabriel Fauré: Messe Basse (SATB)~ Vocal Score (Choral, SATB)

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SATB chorus and Piano (or Organ).

18.
Darius Milhaud: Four Faces: II. The Wisconsonian (Viola and Piano)~ Score (Viola)

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Second of the series of “Four Faces” by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only.

19.
Reynaldo Hahn: Les Feuilles Blessees~ Vocal Album (Piano Accompaniment, Voice)
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Reynaldo Hahn's Les Feuilles Blessees is a collection of 11 songs for Voice with Piano accompaniment.

20.
Darius Milhaud: Valaisian Quatrains (SCTB)~ Score

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Composed by Darius Milhaud, Valaisian Quatrains is a piece for SCBT a capella, based on poems by Rainer Maria Rilke. This piece features five different parts, each one from a poem, whose lyrics are inspired by the Valais area in Switzerland. The composition includes polytonality and polyrhythms that make it highly lyrical, cheerful and nice to sing.

The five poems selected are:
1. Pays, arrêté a mi-chemin / "Country that stops half-way..."
2. Rose de lumiere / "Rose of Light"
3. L'année tourne / "The year revolves"
4. Chemins qui ne menent nulle part / "Paths that take you nowhere"
5. Beau papillon / "Lovely butterfly"

Darius Milhaud (1892-1974) was a composer and a teacher who was also known to be part of Les Six. His composition were known to use politonality and to include some characteristics drawns from the jazz genre.


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