Alphonse Leduc


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1.
Eugène Bozza: Aria~ Instrumental Work (Piano Accompaniment, Alto Saxophone)

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Aria by Eugène Bozza (1905-1991) is a lyrical piece written in 1936 for advanced Alto Saxophone players. Technically and musically challenging, being able to master vibrato and control your instrument well will be greatly beneficial to effective playing of this piece.

Dedicated to the famous French Saxophonist Marcel Mule, Aria required from the player a good mastery of breathing as there are few rests and this also suggests that the intonation should be applied carefully as well.
A relaxed piece that's really popular among players, this piece can remind of the style of J. S. Bach and is thoroughly enjoyable.

Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He also composed several operas, chamber works and ballets among others.

2.
Gabriel Grovlez: Sarabande et Allegro for Alto Saxophone and Piano~ Instrumental Work (Piano Accompaniment, Alto Saxophone)
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Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile, from Operas and Ballets to solo works. Grovlez's Sarabande et Allegro is a sublime addition to the Alto Saxophone repertoire.

Many of the composer's works show neo-classical features, which is also the case in Sarabande et Allegro, where the texture is predominantly melody-dominated homophony, perfect cadences are frequently heard, and modulations to related keys occur. Grovlez's F minor Sarabande is in a steady, triple meter, superbly contrasted by the fast Allegro, composed in the relative major. All these features make for a thoroughly enjoyable and delightful performance!

3.
Maurice Ravel: Pièce en Forme de Habanera for Alto Saxophone and Piano~ Instrumental Work (Piano Accompaniment, Alto Saxophone, Saxophone)

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As a prestigious composer of the early 20th century, Maurice Ravel 's Pièce en Forme de Habanera contains many features which continue to make the composer's music popular and loved to this day.

Known for his masterful melodies and rich harmonies, Pièce en Forme de Habanera clearly exemplifies these qualities through flourishing Saxophone lines and evocative, chordal and rhythmic Piano accompaniments. Moreover, the Habanera rhythms throughoutthe piece create a dynamic and exciting effect. All of these musical elements combined create a highly enjoyable piece for the Alto Saxophone repertoire. In addition, the clear print of separate Saxophone and Piano parts in this edition add to an irresistable purchase for budding saxophonists.

4.
Philippe Gaubert: Sicilienne for Flute and Piano~ Instrumental Work (Piano Accompaniment, Flute)

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Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sicilienne being no exception.

5.
Henri Busser: Andante and Scherzo, Op. 44 (Trumpet and Piano)~ Instrumental Work (Piano Accompaniment, Trumpet)
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Written by Henri Büsser, Andante and Scherzo, Op. 44 is a superb composition for Trumpet and Piano. This chamber work was used as an audition piece for the Paris Conservatory and this edition contains the solo scores for B flat and for C Trumpet.

Henri Büsser (1872-1913) was a French classical composer and organist. He was a professor at the Paris Conservatoire and a member of the Académie Française. He wrote a ballet, numerous operas and chamber music.

6.
Amy Quate: Light of Sothis for Alto Saxophone and Piano~ Not Specified (Score, Piano, Saxophone)
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Contemporary composer Amy Quate works in a wide variety of musical styles, forms and media. Composed in 1982 and dedicated to saxophonist Debra Richtmeyer, Light of Sothis creatively depicts the brightest star in heaven.

Sothis, now called Sirius, is the star aspect of the goddess Isis, whose light confines the cycles of nature which bring beauty, prosperity and life. It is believed that Sothis blesses us with sacred illumination and it is this which Quate depicts in Light of Sothis. In three movements, Grace, Passion and Faith, the Saxophone line has lyrical melodies contrasted with dramatic scalic passages, covering the entire range of the instrument. Suitable for intermediate level saxophonists, a performance Quate's Light of Sothis proves to be an enticing prospect.

7.
Maurice Ravel: Pièce En Forme De Habanera (Cello/Piano)~ Instrumental Work (Piano Accompaniment, Cello)

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As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera style, transcribed for the Cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day.

8.
André Messager: Solo De Concours (Clarinet And Piano)~ Instrumental Work (Piano Accompaniment, Clarinet)
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André Messager (1853-1929) composed Solo De Concours for Clarinet in 1899, as a Paris Conservatoire Contest piece.

Composed in three sections, the cheerful first part contains triplet figures by the Clarinet that can easily be heard over the Orchestra. The second part has a strong French melody that can be heard as an exchange between the Clarinet and the Orchestra. A cadenza followed by trills ends this section and leads to the final part, where the Clarinet stands out from the Orchestra, with a rich melodic energy.

André Messager is a previous student of Gabriel Fauré and Camille Saint-Saëns who wrote numerous operas, operettas and ballets. He was later appointed Commander of the Legion d’Honneur.

9.
Jacques Ibert: 4 Famous Pieces for Piano, extracted from 'Stories'~ Not Specified (Score, Piano)

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Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and it remains significant in the advanced pianist's repertoire.

This selection of pieces from Stories includes 1) The Little White Donkey, 2) A Giddy Girl, 3) The Crystal Cage, and 4) The Market of Fresh Water. The movements of Ibert's Stories contain significant influences of Debussy and impressionism. Addressing a variety of musical aspects and techniques, Ibert's Stories is an exciting addition to the Piano repertoire.

10.
Paul Jeanjean: "Vade-Mecum" Of The Clarinet Player - Six Special Studies (Clarinet)~ Study (Clarinet)
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'Vade-Mecum' for the Clarinet is a set of six studies by Paul Jeanjean (1874-1928) and was composed for intermediate level players who don’t always have the time to practise but have to be warmed up. It should prepare them in approximately half an hour and is particularly good to render the fingers and tongue rapidly supple. It should also help to overcome imperfections and weaknesses. Paul Jeanjean (1874-1928) is a French composer known for his Clarinet compositions. He also composed '16 Études modernes', 'Arabesques' and 'Clair Matin'.

11.
Paul Taffanel/Philippe Gaubert: 17 Grands Exercices Journaliers De Mécanisme (Flute)~ Study (Flute)
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Composed by Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941), 17 Grands Exercices Journaliers de Mécanisme should be performed daily to maintain and strengthen your technique and tone.

In this progressive method, the importance of the purity of the sound is highlighted and the flautist should work their techniques keeping this idea constantly in mind.
A calendar appears at the beginning of the method to ensure progress is made and advice is given in four languages.

12.
Eugène Bozza: Badinage for Trumpet in C or B? and Piano~ Instrumental Work (Piano Accompaniment, Trumpet)
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Eugène Bozza's Badinage, meaning banter, is an exciting addition to the trumpeter's repertoire. Exploiting the instrument's potential, Badinage is ideal performance repertoire for intermediate- to advanced-level Trumpet players.

Born in Nice, Bozza (1905-1991) went on to study at the Paris Conservatoire, winning prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. His capability and creativity come across clearly in his Badinage for Trumpet and Piano through jesting, ascending arpeggio flourishes and energetic staccato call-and-response passages between the Trumpet and Piano. The comic nature of this piece is successfully portrayed, making Bozza's Badinage is an essential, fun and varied piece for the Trumpet repertoire.

13.
Marcel Dupré: Cortège Et Litanie (Organ)~ Instrumental Work (Organ)
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This version of Cortege and Litanie by Marcel Dupré was written for Organ. For upper intermediate players, these 8 page composition is written with 4 sharps and includes the use of the pedals.

The piece, initially written for a small orchestra in 1922, was created for a play. Dupré integrated it into one of his Piano recitals and was later asked to arrange it for other instruments. These scores therefore exist also arranged for Piano, Orchestra (in 4 and 16) and for the conductor.


14.
Paul Bazelaire/Luigi Boccherini: Rondo, for Cello and Piano~ Instrumental Work (Piano Accompaniment, Cello)

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As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the Cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day.

Known for his courtly, gallant style, Rondo, originally composed for Violin and Harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing Cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the Cello repertoire. In addition, the clear print of separate Cello and Piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.

15.
Marcel Lanquetuit: Toccata in D major for Organ~ Not Specified (Score, Organ)
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Marcel Lanquetuit (1894-1985) studied at the Paris Conservatoire before becoming organist at the church of Saint-Godard in Rouen, followed by the Cathedral. As well as being a prominent organist of his time, Lanquetuit was a renowned composer, but chose to improvise rather than write. A few of his notated compositions remain, however, including the grand and mighty Toccata in D major, published in 1927.

Toccata in D major is typical of the French style and is dedicated to Lanquetuit's first teacher, Albert Dupré. The incessant, staccato chords and memorable melody create a Toccata for Organ like no other, making for an essential addition to the advanced organist's repertoire.

16.
Eugène Bozza: Aria for Violin or Flute and Piano~ Instrumental Work (Piano Accompaniment, Flute, Violin)

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Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, Aria for Violin or Flute and Piano being no exception.

This Bozza piece, adaptable for either Violin or Flute, is lyrical and graceful, displaying the beautiful, lower register of both instruments, accompanied by rich, pulsating chords in the Piano. As music educationalist, Paul Griffiths has written of Bozza's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities."

17.
André Lafosse: J. S. Bach Cello Suites Adapted For Tenor Trombone~ Instrumental Album (Trombone)
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The infamous Six Cello Suites by J. S. Bach are perfectly adapted for the Trombone by French professional trombonist, André Lafosse.

Bach originally composed the Cello Suites, some of the most frequently performed and recognised solo compositions ever written for the instrument, during the period 1717-1723, when he served as Kapellmeister in Köthen. Lafosse's adaptions for Trombone (1946) include phrase marks, dynamic markings, articulation, breath marks, and performance directions. Lafosse's adaptions are flawless, making the notorious Suites enjoyably accessible for the Trombone.

18.
Jacques Ibert: Concerto - MCMXXXIV (Flute/Orchestra)~ Instrumental Work (Piano Accompaniment, Flute)
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Published in 1934, the Concerto - MCMXXXIV is one of the most frequently interpreted Flute concertos by Jacques Ibert (1890-1962), a neoclassical composer who won the Prix de Rome in 1919. Written for the French flautist Marcel Moyze, it is rated as difficult and is composed of three movements: Allegro, Andante and Allegro Scherzando.

Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Divertissement (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

19.
André Lafosse: Complete Method Of Slide Trombone – Volume 1 (Trombone)~ Instrumental Tutor (Trombone)
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Conceived for beginners and written in 1921, André Lafosse’s Complete method of Slide Trombone – Volume 1 is an introductory method with comments and explanation for Slide Trombone. Including various exercises and studies, this complete method will also guide the player with the right positions to adopt and direct him to produce a clean sound on the instrument.

Complete method of Slide Trombone has been written in three volumes, the first two in 1921 and the last one in 1946 and the Bass Trombone is covered in an appendix of three pages.

André Lafosse (1890-1975) was a Trombonist and a professor at Paris Conservatoire. He also composed a suite for brass quintet called 'Suite Breve' and recorded with Stravinsky.

20.
Gabriel Fauré: Piece (Bassoon and Piano)~ Instrumental Work (Piano Accompaniment, Bassoon)

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Part of the collection "Nine pieces" for Bassoon and Piano regrouped and transcribed by Fernand Oubradous, Piece is a work initially composed by Gabriel Fauré. Quite difficult, it would match the skills and abilities of advanced players.


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