Heinrich Schütz


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2.
Heinrich Schütz: Psalm 150 (Two Chorus/Two Brass Choir/Organ)~ Vocal Score (Choral, SATB, Ensemble)

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Composed by Heinrich Schütz, Psalm 150, SWV 38 is taken from “Psalmen Davids, Dresden 1619” and is a piece for Double Chorus, Double Brass Choir and Organ. This Baroque Dramatic Concertato is one of the first choral compositions by the author which was initially in German.

3.
Heinrich Schütz: Kyrie (SATB)~ Vocal Score (Choral, SATB)

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Kyrie from 'The German Mass' by Heinrich Schütz. Text in German and Danish.

4.
Heinrich Schutz: Praise To Thee Lord Jesus~ Vocal Score (Choral, SATB)

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Anthem for Passiontide with English translation by Lucy E. Broadwood. This is the last movement from the St. Matthew Passion.

5.
H Schutz: Two Dialogues~ Score (Choral, Piano Accompaniment)

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Choral

6.
Heinrich Schutz: Cantate Domino~ Vocal Score (Choral, SATB)

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7.
Heinrich Schutz: The Psalms Of David~ Vocal Score (Choral, Voice)

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  • BrandOxford University Press

This anthology selects 24 psalms from across the Church's year and presents them in sparkling new English translations which match the original meter and rhyming scheme.

8.
Heinrich Schutz: The Seven Words Of Jesus Christ On The Cross (Eulenburg Miniature Score)~ Miniature Score (Score, Choral, SATB, Tenor, Bass Voice, Alto, Soprano, Continuo)


Eulenburg's celebrated and highly authoritative miniature score is the definitive reference source.

10.
H. Schütz: Historia Der Geburt Jesu Christi - Christmas Story SWV 435 (Choral Score)~ Score (Choral)

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  • SeriesBarenreiter Urtext
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Probably first performed in 1660 this is the first German musical version of the Christmas Story, in which the words are narrated by the Evangelist as accompanied recitative and not set to music in the form of unaccompanied chorales.

11.
H. Schütz: Historia Der Geburt Jesu Christi - Christmas Story SWV 435 (Study Score)~ Miniature Score (Choral)

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Probably first performed in 1660 this is the first German musical version of the Christmas Story, in which the words are narrated by the Evangelist as accompanied recitative and not set to music in the form of unaccompanied chorales.

12.
H. Schütz: Historia Der Geburt Jesu Christi - Christmas Story SWV 435 (Organ)~ Parts (Organ)
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Probably first performed in 1660 this is the first German musical version of the Christmas Story, in which the words are narrated by the Evangelist as accompanied recitative and not set to music in the form of unaccompanied chorales.

13.
H. Schütz: Historia Der Geburt Jesu Christi - Christmas Story SWV 435 (Set Of Parts)~ Parts (Choral)
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Probably first performed in 1660 this is the first German musical version of the Christmas Story, in which the words are narrated by the Evangelist as accompanied recitative and not set to music in the form of unaccompanied chorales.

14.
H. Schutz: Sacred Choral Music 1648: The Five-Part Motets Nos. 1-12 SWV 369- 380 (Vocal Score)~ Vocal Score (Choral, Ensemble)
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Heinrich Schutz's Five-Part Motets, Nos. 1-12 (SWV 369-380). This edition reflects the latest in musicological research based on the New Schutz Edition.

15.
Heinrich Schütz: Psalm 150 (Choral-Mixed accompanied)~ Score and Parts
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16.
Heinrich Schütz: Fili mi, Absalom (bass) (Voice & Ensemble)~ Score and Parts (Voice)
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for voice, 4 trombones and organ

17.
Heinrich Schutz: My Soul Doth Magnify The Lord (Deutsches Magnificat)~ Vocal Score (Choral, SATB)

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With alternative English text. For Double Chorus of Mixed Voices A Cappella.

18.
Heinrich Schutz: German Requiem (Musicalische Exequien)- Vocal Score~ Vocal Score (Choral, SATB, Organ Accompaniment)

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Schirmer Edition edited by Arthur Mendel.

19.
Heinrich Schutz: Christmas Story (Vocal Score)~ Vocal Score (Choral, SATB, Organ Accompaniment, Tenor, Bass Voice, Soprano)

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Vocal Score, Schirmer Edition. 'Historia von der Geburt Jesu Christi' edited by Arthur Mendel.

20.
Heinrich Schutz: The Seven Last Words (Vocal Score)~ Vocal Score (Choral, SATB, Organ Accompaniment)

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English version by Nathan Haskell Dole. For SATTB Choir (Mixed Voices) and Organ, with incidental Soprano, Alto, Tenor, Baritone and Bass Soli.


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