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Mozart did not make extensive use of the clarinet until comparatively late in his career, but he wrote exquisitely for the instrument, and the two scores dedicated to his friend, Anton Stadler—the Quintet, KV581 and the Concerto, KV622—are among his most beautiful works.
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This long-awaited re-release of a Music Minus One classic features a completely new edition of 17 famous solo cello works, complete with helpful tips for cellists playing them for the first time.
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A favorite of audiences and performers, this concerto glows with exuberance and solid structural beauty.
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Sir Edward Elgar's magnificent Concerto for Violoncello and Orchestra was a very personal one for the composer and a tremendous success when it first appeared on the scene.
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Italian Baroque Master Tomaso Albinoni is sometimes overlooked due to his fellow countryman Vivaldi’s immense popularity, but this collection demonstrates the immense gifts which Albinoni exhibited as a composer.
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One of the most enchanting and popular piano concerti ever written, this is for many the epitome of nineteenth-century Romanticism, showing the great influence of both Schumann and Liszt, as well as Grieg’s own fascination with Norwegian folk melodies.
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Rachmaninov's
Rhapsody On A Theme Of Paganini is appropriate for moderately advanced to advanced-level pianists.
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Written for his friend and fellow Mason in Vienna, Anton Stadler, the quintet was completed in September of 1789, this and premiered a few days before Christmas of that year.
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Here is the classic which sits atop the Baroque literature for violin and orchestra. Magnificent in every way, and well worth the effort to learn.
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Gorgeous high-voice German Lieder from Franz Schubert, the master of the form.
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