Post-1900
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These three solo harpsichord pieces are a collection of recent compositions, each with an individual theme and idea.
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This was first performed as part of a BBC promenade concert at the Royal Albert Hall in July 1973.
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Peter Maxwell Davies: Tenebrae Super Gesualdo ~ Score (Alto Flute, Bass Clarinet, Cello, Glocenspiel, Guitar, Harpsichord, Marimba, Mezzo-Soprano, Viola, Violin, Celeste)
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Davies discovers aspects of himself in examining one of his most troubled predecessors.
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Written for Elisabeth Chojnacka, who gave the first performance with the Michael Nyman String Orchestra on 29 April 1995 in the Queen Elizabeth Hall, London.
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John Tavener: Ultimos Ritos ~ Score (Flute, Oboe, Horn, Trombone, Trumpet, Percussion, Organ, SATB, String Instruments, Recorder, Bass, Alto Flute, Harpsichord, Voice)
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This massive work for orchestra and four choirs was commissioned by Mario di Bonaventura for the Hopkins Centre, Dartmouth College, Hanover, USA.
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Work for Harpsichord or Piano.
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Score and Parts for Barry Guy's
Details for two Oboes (doubling Cor Anglais and Oboe D'Amore), Bassoon and Harpsichord, written in 1978.
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The poems which form the basis of this work were inspired by a miniature mechanical organ playing eight tunes, once the property of George III...
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Arranged for two harpsichords, viola da gamba and percussion, this work is written to be played in African tuning.
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A fantastic suite from Robert Hinchliffe,
The Elements is everything it's name promises it to be. For Flute and Harpsichord or Piano.
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